At my job, there are back issues of loads of gossip rags. People, Us, and this piece of shit called OK!. I was thumbing through a recent issue that talked about "curvy stars". They listed the usual suspects; Beyonce, J.Lo, Mariah. They then listed Jessica Simpson. Why is it that she is considered curvaceous? Is it because she feels the need to stick her ass out at any waking moment? I just don't get it. Maybe it's the hoopla her father, Joe Simpson, caused when he commented on the size of her ta-tas. I mean she might have played Daisy Duke, but she didn't fill those Dukes right. I just don't understand this perception of "baby got back" just because she sticks her ass out? Look at her ribs -- I don't know too many curvy women who have ribs poking out. I just don't get it. Salma Hayek is curvy. Jennfer Tilly is curvy. Jessica Simpson? Not so much...
Archive for 07/01/2006 - 08/01/2006
I think I should explain my love and respect for the music of DJ Shadow. I was initially introduced to Josh Davis through his EP for Mo'Wax, What Does Your Soul Look Like?. My boy had it on import CD, and let me borrow it one beautiful night. There was instrumental ("trip-hop"?) hip-hop, and then there was the tapestries that Shadow was creating. From that, I heard him on the Meiso album DJ Krush put out, they did a track together, and Shadow's bit was the illest -- perfect drum work, pianos on time, all that. Then the ultimate album came out: Endtroducing.... This album is one of the cornerstones of sampled Hip-Hop, letting you really know how excellent and somber and dark and funky and emotional sample-based music can be. He set a high bar with that one, and maybe that's the problem. He put out the Psyence Fiction disc under that UNKLE moniker (with James Lavelle), showing that he could put out tracks with more vocals and such. Hell, I wasn't the BIGGEST fan of Private Press, but he had a ton of wicked ideas on that one. How he got from that to The Outsider is beyond me...
He's said in interviews that the reason he chose that title is because that's how he felt in the industry, or something. That's understandable --- Shadow is by no means a household name. He has ebbed and flowed in the underground, and made some very challenging music. I don't know if he is really going for what this album suggests, but fuck it, let's lay it down. The first full track, "This Time", sounds like Shadow is stating his case for what's he's doing this go round ("this time, I'm gonna try it my way" is the refrain). Which is all well and good, but do we need the pseudo-blaxploitation 70's-funk jam? In the hands of a lesser producer, this might be a great B-side. In the hands of Shadow, this sounds like "MPC in my sleep". This is immediately followed by the first single, "3 Freaks", which features Keak Da Sneak (of "Tell Me When To Go" fame) and some cat called Turf Talk. Now, hyphy is cool, I dig that shit, but I mean what is Shadow trying to do? The beat knocks for a hyphy thing, but it sounds like Shadow is making a high-concept beat tape as opposed to an album. There's even a video for this abortion. This is followed by ANOTHER hyphy track, "Turf Dancing" (whatever the fuck THAT is), features the DUMBEST line talking about a chick "ghostriding" his dick. Now, I know what ghostriding a whip is, but how are you getting props for a chick ghostriding your dick?
The next track is actually good. "Seein' Thang" features David Banner going political on your ass over a dark, crunkstastic beat. He drops lines about black on black crime, Katrina thoughts, and other atrocities that have occurred over the last couple of years. After this is a sampled blues tune turned into the "Broken Levee Blues". It's nice guitar work, but just doesn't feel like it should be its own track or by itself. "Artifact" sounds like a punk-DnB hybrid that was probably a great idea in theory, but does not seem to flesh out. All aggression, no direction, which is a constant thing running through this album. Little Brother's Phonte drops some rhymes on "Backstage Girl", a story about a freak who seduces Phonte backstage. Ends up the chick is a MySpace freak. The backing track is a slow, funky, bluesy joint. Nicely done, actually. This leads us into what I like to call the "Final Fantasy" section of the disc. If you've played any of the Final Fantasy video games, you realize that they have really dope soundtracks, for being video games. This is not something I'd like to have playing on my discman or mp3 player. "The Tiger" features a fuzzy guitar and some conga thumping. Basic fast forward fodder. "Erase You" has the best drum edits of the entire album; Shadow really takes it back, showing you what he can do. He flips a sampled break and makes you feel like its a live drummer licking the snares. The vocals could have been nixed, but this is not a perfect world. The Christina Carter spoken-word bit in the intro of "What Have I Done" really reminds me of a cinematic sequence in a PSX RPG game: very confused, sounds attacking you from right and left, with random vocals dripping in and out. With the visual, the audio works... without it, it's grating. For some reason, one of the WORST tracks features Q-Tip and Lateef the Truth Speaker. Fitting, since Shadow and A Tribe Called Quest suffer from the same disease.
Well, the disease was initially diagnosed by my studying ATCQ. They created Hip-Hop masterpieces with The Low End Theory and Midnight Marauders; once their following albums came out, people hated on them. It wasn't that these discs were so terrible, but the fact remains, that plateau they created has now been tarnished. If these subsequent discs were created by lesser artists, they would be seen as solid contributions. In the hands of masters/legends, they are seen as shitty fodder. This is how the entirety of this album comes across: the makings of an artist just getting his feet wet. I can appreciate the scatter-brained genre hopping. The leftfield thoughts. My understanding of what Shadow can do will not allow me to fully appreciate this album. No matter how hyphy or mystical or blues-y he gets. This was not a good look for Shadow at all. Not at all.
rock the dub gives this CD a 5 out of 10 for disappointing soundscapes from a time-tested producer.
Want more information on DJ Shadow? Check out his official website.
The good folks over there at Oh Word have dubbed this "Crack Week". You gotta love Rafi and those guys. They take those offbeat ideas and run with them; a lil humor, a lil truth, and it's Hip-Hop blog gold. They also let ya boy write an article for them... here's my first (of many, hopefully) guest spots for Oh Word: "there was always 'caine".
Also, jimi izrael also drops his piece on the infamous "Crackheads Gone Wild" DVD.
I'll keep you guys posted on any other updates to Crack Week.
EDIT: A side note that was just forwarded to me. Check out this blog post and if you are interested, holler at chartreuse. Very interesting idea, I will try and keep you guys informed on this.
Getting a late start on this one... been one of those lazy days for me. Just been in a weird mood... 6 weeks left until my son is born, this heat is getting to me, no alcohol... which reminds me, I wanna send a big fuck you to Sovereign Bank... they need to get on their game and send me this paperwork so I can get my money. Shady bastards.
I wanna send a shout to my boy Pr0gress... been a minute since I spoke with him, and he's been on his grizzly making some nice DnB... I'm sending out a few of his bits so if you are a DJ or run a label looking for new talent, holla at the kid. There's also this mix that he's done... I always knew he was a monster on the decks, and he's kept it going. Download here...
Oh and to that Gutierrez/Clottey fight that was on HBO tonight... sucking @ boxing does NOT mean that you have to throw crazy lowblows... that's just uncalled for.
It's been a weird week... some crazy news is out there. Let's get to it.
01/What's really good with Mel Gibson? He's out there getting DUIs and shit, cussing the Jews... well he actually admitted that he has a drinking problem, so that's the 1st step. Maybe it's all of those wacked out flicks he's making that drive him to drink...
02/There was a bit of LOST news out there, as ABC announced it's Fall schedule. Season 3 will start on October 4th (a week before my b-day!), and let the world know officially that the season will be broken into 2 parts: there will be like 6 episodes starting October 4th, then there will be a 3 month pause during the beginning of 2007. The season will then have a gang of episodes (no reruns!) until the beginning of the Summer. People will cry/bitch/moan/whatever, but I rather that then weeks of reruns. During that off time, ABC is planning on showing some new TV show starring Taye Diggs, and it is supposed to be like Memento and Groundhog's Day... good luck, nigga!
03/Have you guys seen this commercial for HeadOn ("apply directly to the forehead")? My wife and kids HATE that commercial, but it's actually good marketing... sort of. Let Slate explain it to you, they are better than I.
04/Philly basketball fans, rejoice: Allen Iverson will not be leaving, at least not this season. I was already telling people that there was no way Iverson was gone --- he's worth too much to the 76ers organization financially, putting those asses in the seats! Also, there would need to be a big offer on the table to get Iverson out of Philly, and I don't think most teams are prepared to shift their whole team... except for Denver, and they wouldn't give up 'Melo. Carmelo did get picked for the Team USA squad. Peep the entire roster here. PS: word to Charles Barkley, good luck on your campaign for governor!
05/Ken Jennings, aka neph who won like $2.5 Million playing Jeopardy!, got accussed of "bashing" host Alex Trebeck and the TV show where he won his loot. I guess a lot of people didn't read the actual post, which read like a letter to Jeopardy, asking for a bit of an updated style... was he wrong? I don't think so; this show hasn't changed a blip in the 20+ years I've watched it. Fix up, Trebeck.
06/I spoke on this "Zune" that Microsoft plans to have out soon, and then happened upon this article, which was something I never thought about initially: iRiver, Creative, and these other companies are gonna lose out. They had tried to bridge the gap and incorporate Microsoft's technology into their players, but now they might get thrown to the wayside. And with Microsoft planning on spending crazy loot on the Zune, we can only hope that this is a wise decision... we'll see when Christmas comes around.
07/Why they are even trying, I don't know, but MTV is coming up with a site that is said to rival MySpace. Why? Who knows... Friendster couldn't do it. mtvflux.co.uk is said to launch in August, and will incorporate mobile phones and other things into it. Why bother?
08/Scarlett Johanssen, who seems to get flyer every flick she's in, is set to have her own clothing line in conjunction with Reebok. They seem to be giving anyone a deal... Jigga... Daddy Yankee... whattup with that? I need a "rock the dub" line of sneakers. Someone let me know how to do that.
09/Lionel Richie is said to be upset with Nicole Richie's weight loss. Well dammit, so am I. I used to think she was fly during the first season of The Simple Life... the lil pudginess was cute. Her attitude stunk, but she was fly. When the 2nd season came around, and she shed that rehab weight, she got even better, but then the idiot turned into skin-n-bones, which is far from attractive. You'd think she'd want to not look like a dope fiend anymore... to each his own, I guess.
10/The Nine Trey Bloods got hit hard by the state and federal police in NJ this week, which is also being called the largest roundup in state history. The first bust netted something like 65 heads? They called these niggas a "super gang", and for the amount of shit these guys were into, I can see why. Racketeering, money laundering, drug dealing. These guys were HEAVY! Hopefully this will ease the drama up on the streets, for a little bit anyways.
11/I hate Cingular Wireless. They barked at me this week on some "your GoPhone service is out of here, get a new plan or be cut off by September 30th". Not feeling that @ all. If I had the loot to stay on a monthly plan, I'd probably grab one of the 2 new Razr phones out there. The 1t one is the Krzr, is narrower than the Razr, has a camera and the Bluetooth hookup as well. The Rizr is a slider... but neither are in stores. So save your chips for the next craze. Oh joy. I'll stick with the Virgin Mobile Oystr jawn... say word.
12/OK so I thought I wouldn't speak on this, but fuck it, it's news --- not really, but so what. Lance Bass came out of the closet this week. Most people thought Timberlake was the gay one, or the old fucker Chris, but it was Lance. I really don't care, but I think the amount of publicity this is getting is insane for a dude who really didn't do shit from jump.
13/New Rap album news! To start things off, The Game proclaimed that his long awaited sophmore album, The Doctor's Advocate, is set to drop this November. He plans on having Nas, Mary J. Blige, as well as punk ass Cool and Dre doing a bunch of beats to this album. Game also let slip a teaser, "One Blood", which shows him atop his game. XXL's YN broke this track down for you lames, and it is a hot lil piece to be honest with you... also this week, the Clipse gave us what we wanted to hear: Hell Hath No Fury has a Halloween drop date. No doubt. They apparently scrapped a bunch of tracks in favor of a load of new heat. Hopefully, some of those scrapped gems will make it to the mixtape circuit (fingers crossed!)... it's still Fuck Jive, but what can you do? ... It's been a long time coming, but M.O.P.'s long awaited next album should be coming soon, for good or ill. Kind of. This is the album that was SUPPOSED to drop on the Roc when they signed to them. It's coming out on Coppertop(??) Records, and has a gang of joints that have seen the light of day already, mixtape side or otherwise. Sucks for them. They need to do their own thing --- I am still thinking G-Unit is not a good look for them. Stones Throw and Adult Swim have finally named the compilation they put together; Chrome Children is a showcase of the talent on that roster, from Roc C to Oh No to Madlib to Madvillian to Jaylib to MED and Percee P and many others... check out that listing! On a final Hip-Hop LP note, Fat Joe has split with Atlantic... sort of. I had no idea his All Or Nothing album was put out on his Terror Squad label, well actually Terror Squad/Atlantic. Now, he is putting out the next LP, Me, Myself & I, out solely on Terror Squad. Who's distro'ing that badboy? Supposed to be his best thing out, too. Time will tell... fucking crack-a-matician.
14/THIS JUST IN: Roy Jones Jr. has won a new belt. Fighting for the first time since he bounced from the ring 10 months ago, it sounds like he fought a real bum; dude only won the 1st round? What? No competition, eh? Go fight Tarver and get stole on, nigga. Or take your bruised ego back to the chicken coop. Fight a real dude, Roy! I dare you!
15/Andrea Yates, the mother who drowned her 5 boys back in 2001, was retried and found not guilty by reason of insanity. I feel for her, b/c she was going through some serious depression... the doctor even said after the 4th "don't have a kid". Why they decided to have that last son, who knows, but I tell you what: if this lady ever gets sent back into society, tie her tubes. Tie her tubes, remove her uterus... fuck it, sew her coochie closed. She doesn't seem to be a threat to anyone but the children she brings into this world, so stop her from having babies.
16/Some non-album Hip-Hop news; XXL provided an excerpt of the 50 Cent interview forthcoming in their next issue. My only gripe with 50's comments is the hypocrisy. He will make comments like this: "None of it should be out there. It’s all illegal activity. Everything that you mention when you talk to these niggas, they can’t make reference to nothing but breaking the fuckin’ law. That’s it. We talking about career criminals", then go right back around with shit like how he was going to murk Ja on a motorcycle. Why do that? For someone as vocal as he has been on past experiences he's had, why downtalk another nigga on what he says? ... Oh and word to DJ Envy, you should strap up now: Star's charges are set to be dropped in 6 months. So for all the shit he talked about your wife and daughter, get at him. Yes, I'm instigating like M.O.P., I can't help it. I have kids, and if some other nigga spoke about my family the way Star did, fuck that, ratchets out!
17/On a final note, you gotta love it when great minds think alike: Oh Word and Dallas Penn have teamed up to give you guys a PSA of sorts on a pressing issue: working one over on the fast food devils. I will say no more but give you this video on the Ghetto Big Mac:
You can't hate on that. I hope you guys enjoyed this edition... let's hope next week's is as fruitful. Have a good'n!
There going to be no real top 10 this week. I have been stuck on new shit, but listening to the same shit. Like I would rock to the Clipse We Got It 4 Cheap mixtapes, or my promo of the Logistics LP forthcoming in September. Or a gang of mixes... so I figured I'd shout out some DnB mixes that have come out this week on DOA... holla.
DJ XO has made an mp3 of his weekly show on Bassdrive... check this thread for playlist and download link.
DJ Motive (who I recently interviewed), dropped a dope looking "Pirate Radio" mix on the masses today. Nice jpeg files for your burning pleasure as well.
Dabbler, who just let his dope "Hard Times" be available for FREE, drops a "Welcome To Vanrock" mix on your head as well. That tracklist is not to be fucked with!
One of Breakbeat Kaos' latest signees, High Rankin, comes correct with a 20 min mix of his darker side.
:phew: Lotta mixes, no? Shouts to esb and the Union for their kick ass show today. I only heard a half hour, but it rocked. Nice up for dropping that Seba tune for me.
I also want to say that you guys are going to love that Logistics LP... def. wait for the 2xCD to drop. Some true gems on that bad boy!
To end this, I first want to give a shout to my boy Che Grand... peep his labelmates' Tanya Morgan, and their video "We Be" below:
currently on Winamp: Logistics "The Divide" [hospital]
You gotta love good DnB.
I'm really just posting this to let you guys who read this regularly that ya boy is still around. Been a busy couple of weeks.
I'm home today giving my wife some support, then have to run out later on, so yeah, I'm stacked. About 6 and 1/2 weeks left until Jayden's birth... I'm pumped and cannot wait for him to be here. I spent a good part of this morning washing his clothes and sheets, getting his wears ready for wear. It's crazy... I'm going to have a lil boy running around here come October. How ill is that?!
I have a few things coming in the near future... working on putting the finishing touches to this article for Oh Word, more on that next week (fingers crossed!); I also have a review of Logistics' debut album, Now More Than Ever... more on that next week as well. I also have an interview with Wise Intelligent that will more than likely be posted up on rock the dub, but it might have another home? We'll see... I'll keep you guys posted.
Is there anyone you guys think would be dope to interview? Or any ideas you think I should tackle? Send your thoughts here; I'll field any ideas you got.
Keep it locked, and peep this video, for ish and giggles:
I'm not sure how many of you other DnB heads fell in love with this sound, but one of my favorite producers is DJ Krust. I knew him primarily from the Reprazent clique (Roni Size, DJ Die, DJ Suv, and Krust) and their critically acclaimed New Forms 2xCD. I purchased that and the stellar V Classic, vol. 1 disc, and got to delve into one of Krust's best tracks, "Blaze Dis One". It wasn't overly dramatic, just straight ahead sly drums and FAT bass, but the groove was laid out so well. Dipping from that, I fell into a deeper zone with Krust, from the awesome "Warhead" to "Angles" to "Maintain" and "Bad Intentions". The man can flip it from a very deep, brooding tone to a tune aimed directly at your feet. He created Coded Language, which seemed to be a culmination of his chilled, soulful side. After that, he delved into a more straightforward style, to much praise and scorn, but he has seemed to dig deep inside himself and come up with a hybrid sound: soul and funk. Minimal bombast. He also has a deep intellectual mind, which he let me pick away at earlier this month...
khal: First and foremost, your latest album, Hidden Knowledge, is some very great work, and is being well received by heads all over. What mind state or zone were you in while producing this long player?
DJ Krust: I think what I wanted to do was go back to point in my music when I was my most creative and use that as my starting point; it was a time in the music when everybody was known for there own style. Being different was what the seen was all about. Before starting any project I build the concept in my mind I see what its gonna look like how the sounds are gonna work. I try to see the colour of the music first then I start to build. I don’t think about it, I feel it: if it feels right then it's right, if it feels difficult then I know I am on the right track. I am not trying to be different just for the sake of it. It's just sometimes you have to take it there to find new ground.
khal: I assume that you are aware that many of your fans from your “True Stores”/”Soul In Motion” days seemed to be either taken aback or downright frustrated when you delved into tracks like “Kloakin’ Device” or “Follow Da Vision”, places that can be seen as a bit lighter than your deeper output. Do you have any feelings as to those listeners who seemed to wish you stayed in that “deep” stage as opposed to branching out? Do you feel as though your varying styles of DnB as detached as others feel they are?
DJ Krust: No one wears the same pair of trainers all the time; we like different things at different times. That’s what it's like making music, I don’t feel it all the time. Sometimes it's about having fun, the party. I think it’s important to do what you feel. I enjoy making the music that I do for me, that’s the main thing.
khal: Times have changed in the DnB game, from the early 90s to 2006 and beyond. You’ve pretty much been involved since the scene’s inception; how do you feel about the many changes that have come about, from production to the raves to the ravers themselves, as well as the impact the Internet seems to have had on the worldwide scene, as well as producers getting noticed and signed, in some cases?
DJ Krust: The world is changing fast its important that we change with we must have an active roles in this change. The technology is moving fast (some good, some bad); we should not get confused as to its use. I think that’s one of the problems of today: people try and use technology to replace the hard work that you have to do to become what you want. Technology is a part of what we're about, not a replacement. As far as the new rave, that’s the way it is; new people, new ways of doing things. The Internet is here to help. We just haven’t figured out how to use it properly and get the most out of it. People want music and they're gonna get it anyway they can. We have to work out the best way to get it to the people in the best way and still make a living. What’s happening now is, we're not control the distribution of our music on the web so we have a problem.
khal: I’ve read in the past where you spoke on your visions, mainly dealing with Reprazent, in terms of your sound; how many thought your sound was a bit jazzier, but you guys were edging towards a more of a Funk vibe. Hearing tracks like “Initiation”, I can definitely hear the Funk still. Do you still aim for a specific vibe running throughout your albums, or do you just go with the flow?
DJ Krust: My background is Funk, Pop, two-tone, Rock, Hip-Hop, Reggae... then I got in to breakbeat technology. So these are the aspects in my music all the time, in one way or another. Sometimes it's not that straightforward. We deal with the vibe and the energy of the music. It’s the feeling. I start with what I am and who I am and the rest comes from there
khal: I saw yourself and the Reprazent camp play live in Central Park NYC back in 2000 I believe. The place was rammed, and it was great to see such a solid confirmation of your talent and the talent of your crew. I always wondered 2 things: a) do you ever plan on doing live PA’s, and b) what was that piece of equipment you were using, the thing that you were waving your hand above, making all those hot sounds?
DJ Krust: I am working on a live show right now, we've got some shows later on in the year. And the box of lights that was an experimental device. You put your hand over the light and it sends MIDI. You can control LFO, S-filters, anything MIDI.You can find it on some of the new Roland keyboards.
khal: In packaging this album as a 2xCD, did you initially decide to throw some of your classics on the second disc? How did you choose those tracks?
DJ Krust: We just went through the tracks that we liked and would give people who don’t know me a look at what I was about.
khal: From listening to a number of the themes brought up on this album, as well as reading your blogs on MySpace, you seem to be a very philosophical cat. Do you study a lot of what you are speaking on, or is this just what comes into your head from time to time?
DJ Krust: I have been studying the books for a minute now, talking to people and travelling the world, seeing different cultures; that will give you a different world view. I think we're on a new road right now where the rules change as much as we do. We are only just finding out how the mind really works, so its all new ground. We have the greatest tool in the known human universe, it's called the mind. It's an untapped resource with immeasurable power. We are jus learning how to use it properly. Once we understand it and how to use it and our connection to all things, we will know more about what we are and who we are. On the album, the titles of all the tracks are search keys: type the names in Google or Yahoo and see what comes up. I think we need all the information then we can use our own minds to decide what the truth is.
khal: For the first time ever I got to see your awesome video for “Coded Language”, with you and Saul Williams bugging out around exploding TVs and bugging out. How did the two of you hook up to create this epic track?
DJ Krust: We meet through Giles Peterson and Paul Martin. They used to run Talkin' Loud, the label I was signed to. I had the track and was looking for something special, and the guys were like "there’s this cat, you should meet him". So we link up and from the get go I knew something was gonna happen; the guy has got mad flava, his whole outlook is from over there. So it fit in with what I was about.
khal: You’ve produced a string of classics over the years. How does it feel to have your place in the DnB scene solidified for years to come? Do you feel as if you need to top your last hit?
DJ Krust: It feels good to know that I help build some thing that has travelled round the world and become what it is today I still feel as though there is a lot more to do the music is only part of it. Now we have to work on the business and get that straight .as far as making another hit. I try and use what I’ve learned from the last track to better the next one. If it’s a big one then bless all good but first and foremost it’s about adding on in a positive way
khal: What’s going on with the Full Cycle camp these days? I know you guys have been pushing Clipz hard… is his sound the future of the label? What’s on the horizon from the FC label?
DJ Krust: Clipz has been working hard on breaking his style of music and he’s made a good name for himself. He’s very focused and knows what he wants. The label is about music, experimental music. We have made a lot of music and continue to do so. We're building another aspect of the label, FC TV, which is documentaries ,videos, web-based programs; V-Cycle, which is our online shop where people can become a member and get up front promos and limited edition clothes. So were expanding what we do as a label now and into the future
khal: Last year, the latest DnB hitmaker, TC, remixed a couple of your hits for V. Did you have to approve these mixes? How did you feel about the sound and style he brought to two of your most well known tracks?
DJ Krust: Remixing is tricky one; it's very hit and miss. Add in classic tracks and it gets deep. I think the mixes were good and they worked on the street. As far as me approving them, I’ll have some input, but bottom line if it works, then it works. Simply.
khal: OK so your album has been out for a bit now… what’s next for you as an artist? Do you have any DJ gigs lined up? Where can your fans see you? Any 12”s or EPs coming soon from you?
DJ Krust: The album is out, all bless. For me right it’s about putting a live show together and getting that tight. Getting the Remix of the album tracks done. I am also doing a photo exhibition very soon. I did one in Bristol in April that was good, gonna do some more in London, apart from that its back to lab to make the next project
khal: To round things out, what do you see your place in the history of DnB music when you are gone? Do you have any aspirations that you have not met as of yet?
DJ Krust: This music can do anything, go anywhere. Right now, for me, it's about pushing this thing as far as it can go, even changing the format 'til it becomes a new one. That's how this music started and that’s how it will end. There will always be more challenges. Life is about that. If you don’t push your self you don’t grow. We must go forward with strong ideas and good values; the future is what we make. We must take responsibility for our actions and use our hearts and minds. Bless.
We would like to thank Krust for taking the time out of his busy schedule to talk to us about his art and thoughts. If you want any further info on this artist, peep the following links: DJ Krust on MySpace.Full Cycle. DJ Krust discography. DOA Review of Hidden Knowledge written by khal.
I love rediscovering CDs I purchased a while ago. This week, I've been on some Company Flow shit after peeping this review that Bol did... I "found" the disc and was amazed at the fact that I finally got full copies of "Patriotism" and "Weight"... fucking stellar shit. Now, I spent the summer of '99 devouring a few albums... The Roots' Things Fall Apart was a big one, and this Co Flow instrumental "concept" disc was another. This was the time when Co Flow was about to split (amicably) and do their separate things... El-P was really coming into his own as a producer, and Def Jux was about to truly take off on the underground, and you could hear that twisted boom bap on this release. Mr. Len had a few tracks he produced on the solo tip, but this was primarily an El Producto show. I don't get the whole "concept" of this... they took crazy pics of some doll with a paper bag on his head living in this "hospitul"... I gather that he was left by his parents, who had some fucked up living (rape/molestation? murder?), and Johnny got shipped to this asylum-type place, put up on pharms and sits in front of the TV, soaking in disgusting visuals and half-brained intelligence. He decides he has had enough and wants to bounce... with the help of Len and El-P. Ooooooooo-kay, you're saying... what can ya do, though. If I have to gather that while listening to shit-hot tracks like "Bee Aware", which has this driving, somber organ/guitar appeal throughout the track, or the synth-madness of "Worker Ant Uprise", I say do the fucking thing. This is one of those discs that will get you high without the use of drink or drug. "Shadows Drown" is one of the hottest licks on the whole album, that looped sound of impending doom... it really has this effect of taking you deep into the depths of some black, dark pool of nothing. Mood music, indeed.
Is this my wish, that El-P and Len get back together? Yes and no. Len is doing his thing, sort of, and El-P don't really need him anyways, but hey those heydays were the shit, right?
PS: Go grab this right now. It came out on Rawkus, so I guess if you dload it, it's no big deal? I dunno, but "World of Garbage" used to get me through a fucking busload of nonsense and drama in life. Fav track off this album.
PS2: I kind of stopped digging the whole El-P sound when Aesop Rock came out. I dug the Def Jux/Co Flow/El-P sound up until then. I just didn't get what the big fuss was over dude. I do like the fact that Def Jux signed Mr. Lif. He's that dude, and that Perceptionists album is mint. Am I wrong?
At the end of the day, we're all children of Jah. Happy birthday, Selassie I. I also want to send a big up to Brooklyn, my dog Nappy (keep holdin' it down), my unborn, my family, Pom Wonderful (anyone got any Absolut?), and fat basslines.
I'm gonna try and whip this one out... there's a date wifey and I have that I plan on keeping... you know how this goes.
I do want to say: I am getting tired of Making The Band 3. I mean, I like seeing this show, I've been down since Dylan was a lazy Jamaican... it's one of my favs, but these chicks need to get a grip. Stop crying -- at least you are recording! Don't act like you are just so distraught... OK you aren't on a track, but how's that check getting to you? I know you ain't STARVING! Get over yourself and play your position...
Wow. Got a bit hostile there. Let's get it going before I hurt something...
01/This past sunday, Chappelle's Show ran the now-infamous "Pixie Skit". If you guys don't remember, this skit has been sighted as one of the main reasons Dave flew off the handle and bounced from his show (and $50 mil)... It was funny, but it seemed drawn out. It's like they are truly stitching episodes together, mostly unedited/approved by Dave [unfortunately]... I wish, for Dave's sake, that they didn't show these. The episodes lack something... lack a lot. Funny is the main thing they lack, but I'll be dropping knowledge on Summer TV in the very near future, so keep your eyes peeled.
02/As if we didn't already know, Timbaland had to let the cat out of the bag: he says he is currently working on new tracks for Jay-Z's next LP. No confirmation from Jay Hov himself, but this can only be seen as a great thing for Hip-Hop as a whole. The shit's in a slump, you know it and I know it. LPs are coming out subpar, singles drive the market, and creativity is at a low. I can only hope that Jay sticks to his grizzly and puts out a stellar album; anything less will be a huge blow, and he had better resign from his position... oh, he's made some bad choices.
03/I agree with Slate: I think Bush cursing during that microphone snafu is good for business. What would you expect him to be speaking of? Knitting? Fine linens? Nah he was trying to get his shit in order... Tony Blair did seem like a lil pissant though. "Come on man, we gotta go forth with this early"; Bush is all "Yo, son, I got this. Condi's black ass is gonna be there soon my dude". Gotta love it. Now I know what Raekwon meant by "Gangster Republicans".
04/Neph who said Eminem whupped his punk ass in the bathroom last week has withdrawn his charges. Yeah, I wonder how much extra Shady Clothing he got in the mail this week, too.
05/Trying to kick their rival CinemaNow's ass, Movielink has gotten licenses for DVD-Burning tools, so you can dload and burn a full length movie right from their site. CinemaNow apparently only has that option with skin flicks, so this move might be big... if they could only get some movie industry support! LOL what good is the product if you got nothing to exploit it?
06/I had no idea this news was that big, but Oprah felt she had to come out and say hit: Gayle and her are not munching each other's carpets. Is this even news? Who the fuck thought that...
07/Microsoft is really reaching: they have finally announced that they have an iPod killer on the way... or so they hope. Thing is, the technical specs are unknown, but they are not the main feature heads should look for: think about what they need to do to edge out iTunes. iTunes is moving something crazy b/c it's an easy way for novice iPod users to cop tracks and throw them on the player. Serious heads don't fuck with iPods and such for a lot of other reasons (hatred for the whole Apple thing, too much unnecessry bells and whistles)... but you can't knock the growing library they've accumulated. Can Microsoft lead the industry massive over to come purchase this thing, Zune?
08/How the FUCK does one create a musical without the fucking music? Ask Outkast... these jigas have the Idlewild soundtrack dropping in August, with the movie/musical coming out 3 days later. I have no desire to see or hear this, and I dislike the tracks I've heard, but how does one do a musical with no music? How fucking nonsensical does that sound? It's OK though; Big Boi plans on touring... and Andre doesn't! Why don't they just announce the break-up and get this shit over with?
09/No real new news here, but Mr. Lif has a pretty insightful interview over there at Allhiphop. I haven't properly listened to Mo Mega yet, but I will...trust.
10/These Hollywood chicks don't know whether they're coming or going... Pam Anderson and Kid Rock are planning on getting married soon, while Carmen Electra and Dave Navarro split up. I'm not a big fan of Dave, Pam or Kid Rock, but I used to be infatuated with Carmen back when she was down with Prince. Corny, right? Oh well... now I might have to check for her again. Eh... nah.
11/Petition for the release of J Dilla's MCA album. Please sign if you love Dilla.
12/Shouts to the boy noz over at XXL and Cocaine Blunts. He dropped some knowledge on the subject of some shit Little Brother's Phonte spoke about opening up for Yung Joc and shit (what a fucking career move!)... okayplayer-fueled hell ensued --- peep the comments.
13/Who knew MC Hammer was worth a dime anymore? His music catalogue just got sold for something like $2.7 mill! Ridiculous, right? Who woulda thought that "Pumps In A Bump" would be worth ANYTHING these days!?!?
14/On a final note, you gotta love how Bush is just now getting around to speaking in front of the NAACP. He also plans to "extend" the Voting Rights Act. Why not just get rid of the shit altogether... what an idea!
Anyways, I'm off to finish some shit and watch this fight. I hope you enjoyed this shuffle, and I promise to bring you continued coverage of whatever the fuck I want to, whenever the fuck I want to. Holla atcha frog.
Wicked week music wise. Loads of hot shit, from ill mash up CDs to dope Stones Throw mixes to shit hot DnB mixes from esb and the bitterbrew crew. I still haven't put up the DJ Krust interview, b/c I haven't had the hours of time it takes to get it edited right, but my DOA review of his Hidden Knowledge 2xCD is up now. I was also made a mod, but that's nothing too major. In any case, let's get on with this weekend's jams... loads of DnB for ya! Thick with Horizons Music Group tunes, but that's how it goes...
Drum & Bass/Jungle:
01/Aspect "It's Yours (Original Unreleased Mix)" [horizons music]
02/Redeyes "Drama Revenge" [crisis]
03/Resound "Children of Jah (Digital Remix)" [orgone]
04/Gremlinz & Stranjah "Banshee" [mindrush]
05/Phace & N.Phect "Cavity" [syndrome]
06/Digital "Murder" [progress]
07/Logistics "Every Beat Of The Heart" [hospital]
08/Cartridge "Chemistry Connections (Martsman Remix)" [plain audio]
09/Alix Perez "All Alone" [spearhead]
10/Genetic Sequence "Love Crisis" [transmute]
01/Nas vs. Black Sabbath "Shoot The War Pigs" [mash-up] (yes, this is a mash between "Made You Look" and "War Pigs". Yes it's dope.)
02/Clipse ft. Slim Thug "Wamp Wamp (What It Do)" [??] (what it do? kind of odd hearing them on that Houston shit, but that beat is ridic.)
03/The Roots "Can't Stop This" [def jam] (yes, this is the J. Dilla tribute. Yes, all 8 mins plus are dope. Yes, I'm STILL mourning...)
04/Indellible MC's "Weight" [??] (fav track that they did together...)
word. that's all that's truly been rocking me this week. gotta get some ish done before the cookout tomorrow. holla at me.
Oh No, aka Madlib's lil brother, aka producer and MC supreme, aka the man who had the illest beats on the NBA 2K6 video game, aka part of the Cali Wild crew, touched down on Mary Anne Hobbs' show on BBC Radio 1 recently. He left this 27+ min mix of Stones Throw jams to celebrate their 10th Anniversary... download HERE, stream it HERE, and peep the tracklisting on this MySpace blog post...
Want more Oh No info?
Oh No page on Stones Throw website
Oh No on interview @ UKHH.com
Saw this link initially on the XXL website. Was figuring it was a mashup, so I peeped the official website link. Thought that Cee-Lo/Ready To Die cover was fucking hilarious. Now, I'm not a big fan of this Gnarls Barkley LP, but I like this mashup. It's more in the vein of the Grey Album, where the Gnarls LP was more or less chopped up and the BIG lines were thrown over top. It works well, actually. Doesn't make me love Danger Mouse any more or less, but it's fun to hear Biggie's lines resurrected over non-Diddy beats.
Grab it before it's gone.
Need more info on this? Peep the Sound Advice crew's blog post about this concoction. And enjoy. Pay homage to BIG, and try to give Cee-Lo a chance, I guess. Caps & Jones shits all over them, but you ain't heard that from me.
PS: This "Ten Feng Shui Commandments" track is the best thing on there.
PPS: You know, I've given this a night's rest... well... 13 hours to sleep on it. I don't think I like this as much as I like the idea that DM went from being on the outside looking in (cease & desist order and all) to now being on the inside looking out. I posted this up as a bulletin on my MySpace, and I have Gnarls Barkley on my "friends list" (I hate that term, I have more contacts than true friends on my MySpace...) they are down with an Atlantic subsidiary... will he be down with them cease and desist orders that are sure to come down on this project? I like standing up for mash-ups that challenge the mainstream profile... peep the Q-Unit and American Edit albums... in the name of Double Dee & Steinski, let the mash-ups go!
For as much as Pharrell and Chad do for other artists (peep this list), they constantly shit on themselves. Any CD where they are the main attraction (Clones, the N*E*R*D LPs), they seem to take this "I'm gonna do it for dolo" idea, which never seems to work for their nerdcore. P tries to change that for himself, but he forgot that he needs to do more than just create hot beats on his debut solo album, In My Mind. The beats are fire, as you would expect... lush keys, ill drum rolls (one of my fav pieces of this album), tons of percussive flairs, and just dope work with and without samples. For the majority of this album, though, you'd only think that Felonious (??) P has "BAPEstas", "Ice Creams" and fat asses on his mind. That's true for many of his fans and like-minded artists, but with an album title like In My Mind, you'd expect him to spread his wings and take more chances subject-wise.
The initial idea of this album was to craft 7 Hip-Hop tracks and 7 R&B tracks... he does this, but could have made an EP with the amount of same-themed tracks. It's almost as if he remixed "Can I Have It Like That", his snoozer of a pre-single single with Gwen Stefani. While this tune has an intro that sounds like a Dre track, the rolling double-bass is what you want to check for. Of course, he raps "She like the way my hands use her body for hand warmers" is not only vulgar, but unimaginative. If I wanted crass sex lyrics, I'd throw on some Ghostface with his "ping-pong pussy, wild world of wombs" shit. The one thing I noticed, at least with the Rap tracks, is each track starts out the same... the kick/sample hits 4 times or however many times before kicking into the main meat. Why? Who knows. "How Does It Feel?" has a nice live-sounding drum beat to it, with some smooth horn sounds laid over top. P wants to know how it feels to dream about being like him. Thanks for making me feel even worse than I already do about my lack of funds, fucker. And write a better chorus next time. He gets introspective with "Best Friend", which has a very entrancing synth melody to it. He waxes poetic about his family life: losing his grandmother, sticking with his friends and such. Nice until it gets to that odd chorus... it's got random drum fills, key stabs and a thump to it that just doesn't go right. Slim Thug drops in to slob on P with "Keep It Playa", which has a grating keyboard melody. The drums in a lot of these tracks sound live as hell though --- I have no liner notes, so I cannot say if they used a live drummer or not, but it sure sounds like it!
The R&B section starts with "Angel", which sounds like an 8th grade garage band trying to make some hip-hop beats. The initial line "She got an ass like a loaf of bread, you wanna take a slice" sounds like P needs to grow up a bit and come with some stronger lyrics. P then throws 2 songs on one track: "Young Girl", which features Jay-Z rapping about making a 19 yr old his wifey, while P tries to get his Prince on; the 2nd half of this track, "I Really Like You", is the best R&B cut on this whole disc. The whole thing comes together. The music rolls nice, and P sings in that "Frontin'" high pitch, but sounds a lot more relaxed. That's one of the main problems with Skateboard P's singing: in the past, whether it was on choruses or on "Frontin'", the whole selling point on his "voice" was that it didn't sound as if he was trying to be something he isn't. On this disc, neph really wants to be Jamie Foxx or some shit! Nelly drops in on the oddest joint on here, "Baby"... I have no idea wtf he's on about, but the beat is just a sad concoction of a weak guitar riff on top of a beat that sounds like pounding on the lunchtable, but then it morphs into a rip off of that old "Nasty Boy" track from back in the day. P then has the NERVE to get all religious with "Our Father", right after talking about "rolling up a $100 bill" to his "baby". What's that all about?
This album is an album of formulas. The ones that work are the ones that are time tested and, sadly, tired at this point of the game. The beats are dope, but we've heard all of these songs before. The R&B tracks especially are very wishy washy. The fact that the majority of them are intro-verse-chorus-verse-chorus-8 bar "bridge"-reprise is insulting to the true fans, the ones who have followed these dudes since they got big off of "Superthug". You'd expect more than that. Too much rhyming about being iced out and not enough of the introspective stuff IMO. We all know P is not as massive as he tries to put himself out there to be... why keep fronting? And to have a track with Kanye ("Number 1") be possibly the worst piece of shit on this filthy album? Totally insulting... even the bonus track, "Skateboard P Presents Show You How To Hustle", found a way to disappoint me. While I was wanting to hear P let his peeps get down, he spits some tired drug tales that HE ADMITS (mid-track) TO NOT EVEN LIVING! What a fucking waste of the hottest track on here. Head nodding kicks, a seriously sick organ line that switches up for the 7th bar only... whoa. I would have LOVED to hear Clipse, Slim Thug, hell, Snoop and Jay murk this track. And that's the main problem I have with this CD: I would have LOVED to hear this be a compilation, with selected artists doing their thing over each of these beats. I do not want to hear P on any of these, not as the main attraction anyways. Sad but true.
Thing is, that's not what this is about. At the end of the day, P and Chad (who apparently only engineered the beats oslt) want to make loot. Will the consumer purchase this? I've been going back and forth about this... and I'm really on the fence. Given the past lack of sales, I highly fucking doubt it, especially with no real follow up single. I think he might try to work "Angel" or "Take It Off", maybe the joint with Snoop on it, but I just don't see people going crazy for this CD.
rock the dub rating: 5 out of 10 stars. Too much P on the mic, not enough thought/heart on the pad. Maybe next time, Skateboard Pizzle.
Pharrell's In My Mind is in stores July 25th. For more Pharrell info and news, peep his website.
Boy is it hot. Heat Index up in the Northeast is on some bullshit... oppressive heat, peeps.
I've been on some lazy shit, partly due to the heat, partly to just on some up down up down work schedule. No real time to rest, or so it seems...
I've got an interview with DJ Krust that I need to edit. Shouts to him. He's the man. His new album is the shit. I have a review written for DOA that they are going to be posting soon... I hope.
I also have a few reviews that I'm going to be working on... namely the In My Mind album that Pharrell is FINALLY dropping on the 25th. I think I should have that done by this week, don't you think?
Did you guys check out the Horizons Music Digital store @ Juno Records? You guys need not sleep...
Oh, I also updated a gang of links on my "Diversions" list on the right side... it's in alpha order, to make things a bit easier. Mainly, those are either affiliated sites, or sites I just fuck with. Word.
Do you guys know how dope Wu-Tang Clan's Wu Tang Forever LP is? This guy doesn't. I've been rocking this hard the last week or so... gotta love that post-36 Chambers sound RZA was rocking. Peep "The Projects", "Heaterz", "For Heaven's Sake", and of course, "It's Yourz" if you think I'm bullshitting.
I'm out, White Men Can't Jump is on. I'll be more dilligent this week.
PS: to tide you over during this massive muggy phase, check out a few mixes courtesy of the bitterbrew squad. d4t4 cooked up this hot 1999-2001 era DnB mix... hidden gems like the Accidental Heroes' "Forgotten World" and Teebee's "Spage Age". DJ ESB also hooked up this CLASSIC No U-Turn Mini Mix for the Jungletrain crew as well. Loads of old school Ed Rush & Nico collabos in this. No "Proton", but you can't win everyone, right? Enjoy!
What a difference love and some beer makes. Last night I mentioned the rough week and stuff... it's mainly the heat, but I had some issues at work going on that did not put a smile on my face. Just talking to my baby helps so much... she's going through a bunch of stuff during her pregnancy, and she wants to cry and blow up but can hold it in... I should at least be able to keep my cool in this heat. I love her for that.
Shouts out to Old English. You might not be able to cop that in certain spots in Philly, but my Hamilton niggas have it on point. Also, I wanna shout out my Horizons Music Group crew... well, Neil Brandnew anyways. We're making moves, and hopefully I'll be intergrated a lil more into getting the word out on the always quality DnB that comes from Horizons Music, Crisis and Progress. Fingers should remain crossed. I copped a few gems from the Horizons Music Digital store over at Juno. Peep this post for more info. Aspect's "It's Yours (original unreleased mix)" for under £2? Sign me up!
You guys don't really wanna know this shit though, do you? It's Saturday night, I'm kind of tips, and it's shuffle time. You see black dude up there getting jiggy? It's time for me to jig out these news pieces... let's go.
01/Let me just get the latest will.i.am news off my chest: this fucking jigaboo is wanting people to not consider the Black Eyed Peas "hip-hop". Did we ever? Never mind that each new album is gonna feature a track produced by will (Busta's new LP, Nas and Luda and Fat Joe are rumored to be getting beats from him as well). Nevermind that they came out early with a Native Tongues-sound ("Joints and Jams" anyone)? Want to know the reasoning? Check it: "Today's hip-hop is just angry, negative music that just makes black people look bad." So basically, instead of showing the youth that Hip-Hop is not as negative as commercial radio and TV would let you believe, he would rather disassociate himself from Hip-Hop? Sounds like a corporate move, nigga! Good luck on that!
02/I don't know about you, but Stacey Dash was always one of my most favorite actresses... even though I only liked her in Clueless and Mo' Money. She is going to be featured in Playboy, and yes, the pictures are online. She's looking fly too, although a few of my homies have asked what the deal is with her nipples... I don't know, I only go to bed with wifey. Stacey is still fly though, 40 years old and kids and all. Good looking!
03/That dude Gillie Da Kid gave an interview to XXL Online. He talks a lot of shit, and at first read sounds like he's about his business. I mean, yeah he said previously that he ghostwrote for Lil' Wayne, but now he played "coach". OK so that controversy is dead -- until we know the extent of his coaching, his claims are falty. Now, this nigga bigged up how "smart" his business sense was. He talked a lot about "owning his publishing", because you all know that's how niggas get paid over the long haul. Thing is, Baby wasn't having it. Baby said "OK you want to own all your publishing, you won't be putting an album out!" What happened? Gillie ended up writing for Wayne and Baby *allegedly*, and has nothing to show from it. Good job, nigga. Way to be.
04/Ya boy Eminem is going through it. First, he gets his arm tatted up with a tatoo that his homie Proof (RIP) used to rock. Then, some dude says that Em beat his ass in the bathroom of a strip club? What guy talks to anyone while taking a piss? Dude says he starting talking to Em, and Em's body guards were like "stfu". Then he kept talking and when Em was done, he smacked dude up 4-5 times. WTF is wrong there? I don't want NO dude talking to me while I'm peeing. What's good with that? I hope Em gets exonerated... he ain't do nothing no other man would do. Beat a punk ass down. Holla.
05/Who knew that Jackie Chan drank? He was so blitzed this week that he jumped up onstage at some guys show and decided to sing? And then started to insult the crowd when they heckled him? Maybe he needs to be like Carter and get some "mooshoo"? OK, bad joke, but I can't wait for Rush Hour 3. Those movies are my shit.
06/So Britney's bootleg husband, Kevin Federline, has been shopping a deal for his "album" for a while now. This shit was SUPPOSED to drop in April, and it's now the middle of July. Word is that Jive, Brit's label, is trying to sign this dude? Have they heard him rap? I surely hope not, and they are just trying to milk this trainwreck. That dude is AWFUL!
07/It's summertime, and Slate figured it'd be dope to let you punks know what's good on the 'Summer' music tip. None of this touches Memphis Bleek's "Dear Summer", but then again, Memph doesn't even speak a word. Jay-Z must be so proud.
08/This week produced some ill interviews: Smoothe Da Hustler lets us know who he ghostwrote for and where the FUCK he's been, Drama King Kay Slay talks in depth about his Papoose situation and other bits, and Ruck & Rock (aka Heltah Skeltah) do their thing as well.
09/BET decided to cancel their "UNCUT" TV hour for good. I mean, it didn't help that that show came on when most niggas were just coming in from the club, but as noz pointed out, it was a breeding ground for talent that wouldn't normally be put on TV. Granted, that shit would need to have assess jiggling to get play, but it's still an avenue. If yer really feelin' some kind of way, sign the petition.
10/Rumor mill has been runnin' something crazy in regards to the Clipse?and the hiatus that Jive is taking on releasing Hell Hath No Fury. It used to be that niggas could sell mad units on the mixtape scene and it was promised that they'd get some industry shine. This story is much deeper, though. Apparently, Pharrell sold a beat to Foxy Brown before she went deaf. When word got out that bitch couldn't hear shit, she backed up and was like "fuck it, I'll fall back on this album thing"... letting Pharrell think he could just give the Clipse the beat Fox Boogie worked on! Now that she's back, she says she is going to put these rap niggas on it and use it. Faggot Ass P (In My Mind review coming soon) tried to bribe Jigga with beats and other favors for use of this beat on the Clipse's album, but Jigga sent the lawyers out to Jive. Heavy, right? Bidness is bidness... but let the Clipse release their LP! How will that album not do big numbers? I'm behind kris ex 100%: fuck Jive!
11/Diddy's Press Play album is due soon. He gave an interview talking about his approach and renewed thought process. He tries to sound like a DJ (he has a 5-second rule? Why did such nonsense get released on his label then?)... then he talks about one of the themes running through this LP: "One of the things I've gone through in the last couple of years is a lot of situations with relationships," he said. Is he still mourning his loss of J.Lo? Get over it, dude... or was the sex that phenomenal?
12/So what's up with Carmelo Anthony and weed charges? In the past, he got his name in lights over some ganja in his travel bag... now po-po found herb in his whip, while wasn't in it? How much do you think he paid these cops to say he wasn't in there? I know 'Melo smokes that good green... you know it too.
13/Not really a news piece, but my wife made a hilarious statement... we're watching the new DMX reality TV show on BET, and this fucker is obviously under the influence of SOMETHING! Wifey pulls out this line: "DMX gives new meaning to the term Dogs On Acid". I love her! Peep this dude rankin on X while you're at it.
14/Speaking of fun links, here's a few I figure I'd share: a fun Zidane head-butting game, as well as something entitled the "Young Hov Project". That lil dude looks JUST like Hova!
15/Fucking Johnny Depp. Who'd a thunk that this dude would go from 21 Jumpstreet to the highest grossing movie out there? Gotta love that! Now go rent Crybaby and call me in the morning.
16/As of right now, Suge Knight no longer controls Death Row. It got handed over by some judge who cleverly advised that Tha Row has been "mismanaged". It took them this long to realize that? Dude is also getting sued, again(!) by Harry O... I think they need to put out a box set of the Death Row classics (Dre, Snoop, Dogg Pound AND 2Pac?) and pay Harry O those proceeds. End of.
17/Luda has that track "War With God" out there, but he swears he's not going at anyone but... himself? Anyways, he also revealed that the "leaked" version only has 2 verses... I imagine he added a 3rd after the reception to the first 2 verses. On another note, why does the industry get so heated over illegal dloads, but then let's their tracks get leaked all over your Internets with no problem? Shady tactics.
18/Gotta love the power of the blog. This dude FINALLY got his house, after starting out with one red paper clip... gotta love it.
19/Biggie's family is back, asking for some additions to the court case... looks like they are trying to get the LAPD into deeper trouble, saying that not only were shady cops at the museum the night BIG got got, but that they stayed invovled with americam rap stars. It's just getting deeper...
20/Here's a few random bits before I hit the sack... The Sopranos is further delayed due to an injury suffered by James Gandolfini (aka Tony Soprano)... a British banker who worked with the cracks over at Enron got got this week; shady dealings, no? ... Sony also pulled the "racist" ads for the new white version of the PSP... I don't see racism there, but to each his own.
OK crew, that's all I got. Aside from a sack full of sleep. I'm going to let you guys devour this and hit me up with your thoughts. Enjoy the rest of ya weekend...