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Nah Right: American Gangster news


Eskay got to listen in to what sounds like the fucking LP of the year. I envy Eskay. Check out his write up.
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rock the dub radio: episode 006



You already know.

This edition of the rock the dub radio podcast features a host of new-ish tracks, as well as some personal favorites. There's new spit from Scarface, the Wu-Tang Clan, 9th Wonder (with Little Brother), Smif-N-Wessun (with Joell Ortiz) and a host of others; I threw in some Common, Kanye, Mobb Deep, Shyne, Sporty Thievez... endless. Some unreleased heat from the likes of Affiliate, Mickey Factz, Jacewon and others. Big up to Cole Cash, dude is on fire. Oh and make sure you peep that "Al Sharpton Is A Ho" cut - too true!

rock the dub radio: episode 006

(Direct MP3 download [~108MB])

Tracklist:

01/intro
02/Scarface "Never"
03/Statik Selektah ft. Termanology, Talib Kweli & Consequence "Express Yourself '08"
04/9th Wonder ft. Little Brother "No Time To Chill"
05/Busta Rhymes ft. Akon & Shabba Ranks "Clear The Air"
06/Wu-Tang Clan "Watch Your Mouth"
07/Smif-N-Wesson ft. Joell Ortiz "Stomp"
08/Big Shug ft. Royce Da 5'9, Termanology & Singapore Kan "Play It (Remix)"
09/Affiliate "Left, Right"
10/interlude: Col. Jessup vs. Cole Cash
11/Kanye West ft. Common "My Way Home"
12/Shyne "More Or Less"
13/Mobb Deep "Capital P, Capital H"
14/Big Pooh ft. Joe Scudda & Median "Scars"
15/No I.D. "Fate Or Destiny"
16/Common "1,2 Many"
17/Elemental Emcee ft. Chief Rocker Busy Bee "Al Sharpton Is A Ho"
18/Jacewon "So Far To Go (Part III)"
19/Mickey Factz "Talk Yo Ish"
20/Elucid vs. Bjork "Army Of Me"
21/Big Kuntry ft. Leland Austin "Goin' Hem"
22/Slim Thug ft. Jay-Z "I Ain't Heard Of That/Change Clothes"
23/Clipse "Momma I'm So Sorry"
24/Sporty Thievez "Cheapskate"
25/Kia Shine ft. MJG & 8Ball "Bluff City Classic"
26/50 Cent "Curtis 187"
27/50 Cent "What Do You Got"
28/50 Cent "I Don't Need You"
29/Ghostface Killah ft. Sheek Louch "Blue Armor"
30/Nas "No Idea's Original"
31/Blitz the Ambassador "Hands of Time"
Shouts to Chad @ WGHH Radio all day. Any MCs/producers/DJs who want to send me some tracks, email me at khaldub@gmail.com. One love.
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Did Nas jack a Wordsmith track?

You guys heard the recently leaked "Surviving The Times" track from Nas, right? It's off his forthcoming Greatest Hits package, and my boy Wordsmith hit me with this link, discussing the similarities between a track of his entitled "As The Art Fades Away" and the Nas track (hear Words' track on his MySpace page). Check some excerpts of Wordsmith's piece about the similarities between the two:

I wrote my track “As the Art Fades Away” in 2006, as an unofficial version that I actually recently re-recorded for my debut album “The Next Level Experience” on Saturday, October 6th until I heard about this. My in house producer Strada made this beat a year ago and I am here to just state the facts and not attack Nas, so I just ask that everyone judges this fairly. No producer is going start a track the exact same way and no producer is going use the same sounds, loops, rhythems, etc. to create a track. My version starts off with a sample of my own voice saying “The pop rap charts make the art fade away” followed by “That’s the whole tragic point my friend.” Now, whoever produced Nas’s version, and I heard its Chris Webber, which sounds rather odd to me, would not start there track off with the same sample unless they heard it somewhere else first. To me they strung the sample out from there, so it would sound different, but the piano, horn, and baseline are exactly the same way my producer laid his.

So Words is saying Chris Webber (will Nas ever learn?) might have cribbed how Words' track started ouw, samples and all? Chris needs to be training, not producing (jacking?) beats for Escobar...

Two, my producer used “What Would I do” as the hook part of my song and I Chose to fill it in by saying Imagine if certain rappers never did what they did, how would the game be. Nas’s version uses the same concept, but the producer uses a different section of the song where its says,”What Would I do,” from the Wiz and just looped the hook. I have never officially released this track and it can only be heard on my myspace page.
Reminds me of the whole Apex Productions/"I Get Money" MySpace cribbing...
Finally, please don't look at this as I am complaining because I am not, I just felt the need to speak on it because so many great people have come to my defense, so I would like to thank everyone out there for that and I even would like to think any haters as well because we all have a job to do. So what I have done is post links to both tracks below, please check them out and leave your comments.

What do you think? The Nas track; the Wordsmith track. Did they jack Wordsmith?
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Elmo Helps Lil' Dunns Cope with the War

There's a special episode of Sesame Street where Elmo is talking to a character who has a father returning from war (damn, they let ANYONE into the Army these days). It won't be shown on TV for some reason, but they will be dropping copies to over 400,000 families with parents who are off fighting Dubya's battles:




I always thought it was odd that Elmo was voiced by a Black dude.
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Hell Rell For The Hell Of It [review]



Wow OK that cover scares the shit out of me. Well, no, it's just fucking ignorant. But then again, this is Ruger Rell we're speakin' of. Dipset all day? I'd sure hope not...

"Intro"
He keeps saying he doesn't do this for the money or the fame, but then talks about wanting to buy a yacht and all this other bullshit. Nigga, please, you're in this trying to get paid. That's why you're on Koch - it's them illusions, nigga.

"Do It For The Hustlers"
OK this beat is boring. He sounds too much like Killa Cam on this one, which isn't exactly a good thing. And I'm already starting to not believe him. At all.

"Paperboy"
This beat sounds like my son made it. He can't speak yet. I hear that lil Milk Dee in the beat. If Rell and JR Writer are the future of Dipset, I see Dipset ending... tomorrow. And what was up with that apple juice/pee pee line? Too much of that gurple?

"Deep In Love"
I hate when these dudes try to act so hard, then talking about loving their niggas. This beat would have been cool 5 years ago. Wake me when it's over.

"You Can Count On Me"
Straight G shit? "Fuck with me"? How many "I sell drugs b/c my block is fucked up" tracks do I need to hear? Even worse, dude doesn't sound emotional at all. Next.

"Streets Gonna Love Me"
A lot of "me" talk on this disc, no? I do like that beat though - nice use of the vocal sample, but the chorus is very predictable. And who the fuck is truly trying to "die" for the streets?

"Life In The Ghetto"
I'm a sucker for piano melodies. I like this track, surprisingly. The 2nd verse really gets deep into the real grimey side of the hood. A lil too much bullshit about himself when he should be sticking to the topic, but dude rides the beat well. That "get ready for dick and some balls" line sounds odd.

"Hardest Out" (ft. Styles P)
Ghost just trying to get a check off this one. He completely murked Rell on this one. Doesn't even sound like he was in the studio during his rhymes. And who said Rell was one of the hardest rappers out?

"You Know What It Is" (ft. Young Dro)
I never thought I'd be saying this: Young Dro murks Rell on this one! I like how they actually split up the 3rd verse. This beat is bananas though - I could listen to this all day.

"Show Off"
Worst beat on the disc so far. Synth-heavy bullshit. Whomever makes beats like this needs to be shot.

"I'm The Shit" (ft. Cam'ron)
"I'm the shit man/you see these flies flyin' 'round me?" Huh? This beat is vintage Dipset, though: that hi-hat heavy, epic sounding sample shit. Crazy boom-bap. I really like Rell's first verse; the whole Range Rover/Phantom shit at the end makes me smile. Is Cam talking about his IBS on his verse?

"Respect Me" (ft. JR Writer)
I get tired of niggas talkin' about money like they truly blow their noses with dollar bills, be forreal. JR kind of sounds like Papoose, for good or ill.

"I Shall Proceed (Rep The Set)"
Yawn. Why bastardize a Roots chorus? He freaks some old school sounds in the beat though; I'm on the fence with this one.

"Always Wanted To Be A Gangsta"
*Sigh* Another waste of time.

"Where You From" (ft. Juelz Santana)
This beat is kind of wild. I like the bounce to it, and it switches up nicely, too. "This Rap Ramadan/what you niggas go hungry". ROFL! How is Santana only doing the chorus?!?

"I Ain't Playin' Wit 'Em"
Um... OK!? I'm glad this is over.

What a waste of time. I don't have much good to say about this CD. The cover is the best part, and it sucks. I mean I couldn't have expected much, right?

rock the dub gives Hell Rell's For The Hell Of It 2 out of 5 stars. Nonsense beats, nonsense rhymes; Dipset no way.

hit the links:
Hell Rell on MySpace
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