EZ.
respekt2thosewhodeserve.
How crazy is that shit? Now, the more I thought about this shit, the more I realized how crazy the circle of ignorance is... think about it. We create Hip-Hop, Japan creates PS2 and other electronic shit that we (don't) need. Now, not only do we have lil things on our hips that beep and bloop whenever we need a reminder or to speak to some ignorant person about ignorant shit, but then it turns into a new form of ignorance... the Bruce Lee-roy of ignorance. Basically, it ain't just niggas wearing their pants hangin' down... it's niggas wearing their pants hangin' down with fucking SIDEKICKS and other nonsense. And now, this Japanese dude has gone the extra mile... not only has he been influenced by Hip-Hop's love for dookie chains and loud colors, but he has now topped us, turning our love of excess into a gigantic fucking statement -- iced out monetary symbols. If that ain't Pop art, I don't know what is.
I also have a few more examples of current nigga-rance, in video form:
Now on to Dane Cook, who's Tourgasm was the first of his multi-project deal with HBO. The first of (possibly) many specials for HBO, Vicious Circle, premiered last night, and it was a mix of yelling and tangents. New ways to say things and saying the same old shit over again. Dane's kind of comedy is appealing for a few different reasons: he appeals to a very large white college kid crowd, I guess for his stories of one night stands and drunken escapades. He talks about everyday shit, and makes you realize that "hey, I've done that too!", which can be kind of neat, at times. I personally like the way he enunciates and pronounces words, it always keeps you guessing... even if it can be overkill. He does tend to go off the deep end with never-ending jokes, beating the shit out of you with joke fi joke fi joke fi joke, to the point where I think he seriously forgets where he started off. It's comedy for the MTV generation, even to the quick ass cuts and no-attention-span feel of some of his pieces. His storytelling is phenomenal, the way he can pick up on the most minute detail and focus your attention on that piece. That can sometimes outweigh the bad. I think my favorite parts of his Retaliation CD were those bits, the 10-15 minute stories he would tell. I did NOT appreciate him ending his set with fucking DJ Diddles, while funny as shit the first time you hear it, is (at least) a year old... and it's on your fucking CD! I mean, the fans out there already know this bit inside and out. Why subject them to that old material again? I was pissed at Tourgasm for the same thing... I don't think I heard more than one instance where Dane told new jokes. Get with it; this is not TV, this is HBO. The people will scrutinize (and tire) of your old material. Was it that hard to fill the 1hr 45min time slot? And don't think I didn't catch that "black people at the movies" remark you made,doggy... I didn't think you rolled that way, but your true colors have been shown.
In any case, maybe HBO Comedy is going to get better... Katt Williams, aka "Money Mike" and neph from Wild'n Out, has a new special airing this month. Roseanne Barr has one, too, but who gives a shit. We'll see...
khal - How To Speak ‘Hip’ (August 2006)
01/”Basic Hip” Intro
02/Das EFX “Microphone Master (Dome Cracker Remix Instrumental)”
03/”Vocabulary Building”
04/Jay Dee “Fuck The Police”
05/L.E.G.A.C.Y. “Crouching Writer”
06/”The Hang Up”
07/The Alchemist ft. Nas & Prodigy “Tick Tock”
08/”Uncool”
09/The Herbaliser ft. Phi Life Cypher “Distinguished Jamaican English”
10/”Field Trip #1″
11/Company Flow “World of Garbage”
12/Bedouin Ascent “Broadway Boogie Woogie”
13/”Field Trip #2″
14/Styles P “Switch My Style”
15/”Field Trip #3″
16/Buckshot & 9th Wonder “Side Talk”
17/Clipse ft. Sandman & Ab Liva “Daytona 500 (Freestyle)”
18/PackFM “Clik, Clak & Spray”
19/Nas “The World Is Yours”
20/”Put On, Put Down, Come On, Come Down”
21/DJ Krush ft. Shawn J Period “Listen”
22/Busta Rhymes “Ping”
September 1, 2006
For Immediate Release -
Boston-based hip-hop artist Akrobatik has inked a deal with Raptivism/Imperial Records for distribution through Caroline/EMI. The label will be called PlayAktion Recordings, and will serve as an outlet for Akrobatik to release his back catalogue as well as new projects from artists to be signed starting in 2007.
With a huge catalogue of music dating back to 1998, as well as an ever-growing fanbase, the deal couldn't have come at a better time for Akro. With the services of Imperial, PlayAktion Recordings will be able to offer top notch recording quality, competitive marketing and promotional budgets, as well as in-house tour booking and photography.
This has been a busy 2006 for Akrobatik, who is also about to embark on a 30-city tour in preparation for an early 2007 release of his Fat Beats Records album, titled Absolute Value. The album will feature appearances from Little Brother, Bumpy Knuckles, Chuck D., B-Real, and Mr. Lif, among others. His 2005 effort as a member of the Perceptionists, Black Dialogue, was named one of
Rolling Stone Magazine's Top 50 Records of the Year.
For more info on Akrobatik, log on to www.akrobatik.com or www.myspace.com/therealakrobatik