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Marc Ecko's Getting Up: Contents Under Pressure [review]

If you know me, you know I get infatuated with a video game for a bit and then just turn it off, for whatever reason. Most games I can just put down and leave for a while. This game, Marc Ecko's Getting Up: Contents Under Pressure, is just not that game. If you are into Graf, you will be into this game. If you are into loads of action and free roaming environments, you will be into this game. If you are into Hip-Hop's 4 (5?) elements, you will be into this game. It's not for the casual gamer, but it can be. It definitely got me moving, and I'll let you know why...

In this game, you play the character Trane (voiced by Talib Kweli), a graf writer who has gotten a bit too deep into the scene. He lives in a city called New Radius (which seems to be modeled after NYC), a place where not only is graf a CRIME, but you will get stomped the kcuf out for even being SEEN with fat caps. You get drawn into the lovely intro, showing Trane today, ducking the CCK (the crew that patrols New Radius), speaking about the good ol' days. This game works just like a movie, with Trane narrating certain pieces. You get dropped at the beginning of his ascension, as a "toy", or a writer with no real recognition. You encounter the Vandals of New Radius, a crew headed up by some cat named Gabe (voiced by legendary MC Serch), who does not take to "toys" painting over his pieces. Once they embarass Trane, he goes loco and makes it his mission to get back at THEM! Along the way he forms a crew (SFC - Still Free Crew), and makes a serious name for himself, meeting tons of legends -- T-Kid, Cope2, Smith, the dude who did the "OBEY" pieces, Futura, SEEN... the list goes on and on. You pick up different abilities and techniques that help you further your progress. You go on a journey, hitting "heaven spots" (aka spots that are really hard to find, usually way up on buildings and train tracks)... it's a dreamer's true dream. I've been into graf ever since I was little, and always wanted to do what they did, but alas, my lettering sucked, even though I have a hot lil tag name. This game makes it possible for me to live out my dream...

The action in this game is fast and can be furious. You can tag with spray paint, markers, and later on, stencils and big wheat paste pieces. The game is good with letting you know where you can throw up pieces and murals, how big you can do them (the bigger, the more REP you attain), and other things. The controls are easy to pick up -- all you need is one level of practicing how to put up a tag and you will be a pro. The fighting engine is good to, with you being able to pick up different combos and "insult" moves to use on the various cats who will try and cramp your style. And the graphics? INSANE! Did you hear me? INSANE! There are spots where you get caught on camera and the whole screen morphs to what it would look like on a security cam monitor... nice, nice. The majority of the environments are free to move, and you can climb gates, ladders, walk on edges, dangle off of things, jump off walls... and all to attain certain missions objectives. The gameplay can be frustrating sometimes, but you will pick up on what you need to do relatively quickly. Once you hit a check point, you can go back to it if you make a mistake and die on a level. If you have common sense, you can get a grasp for what you need to do, which makes diving into the game very easy.

One of the strongest points in this game is the attention to detail. The click/clack of the spray can, the sounds of the slums and alley ways, right on to the music used in each scene. At times when you are running away from the law, you get a nice rock-influenced track on there... other times, you are in murky underground lairs, and the right, moody tune just accents the feel so perfectly. With heavy hitters on the voice work (which includes Charlie Murphy, Diddy, Brittany Murphy, The RZA, and others), as well as the different musical talents on the soundtrack (from Nina Simone to Pack FM to Talib Kweli and Rakim to Jane's Addiction to Mobb Deep, as well as tons of beats and original tracks from RJD2), you are treated to great aural pleasures to ride longside the beautiful visual experience. This game was obviously created to be a sort of mini-movie, and each piece makes the whole package and concept gel.

All in all, if my words don't inspire you to go out and check this game, this will: Amazon has it for $20 for the PS2. You can pay more, and you will get a package that includes tons of goodies, but it's not too necessary -- all I would really want is the Soundtrack, and well, I have no problem getting that (wink). Lovers of action and graf; Hip-Hop and good stories; art and passion... you all will find something to latch onto in this game. You don't believe me? Ask Gamespot.

rock the dub gives this game a 9.5 for attention to detail, overall gameplay, and the entrancing story.

Want more info on this game? Check out the official website. And for more graf-specific sites, check out Bomb The World, Art Crimes, Style Wars and Graffiti Warz.
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Sunday YouTube Madness: Black Comedy

I say "Black" because I am a big fan of Black comics. I've watched everything from Robin Williams to Rosie O'Donnell (remember the old VH1 show she hosted?)... I'm a big fan of George Carlin and Dane Cook and a lot of other White comedians... but Black comedy is my shit. Pryor, Eddie, Chappelle, Rock... list goes on. So, let's check some hilarious stand-up from some of my favorite Black comics...

#1: Dave Chappelle on Def Comedy Jam (peep Martin's lil chuckle)...






#2: One of Bernie Mac's FUNNIEST sets ever. "I Ain't Scared Of You Muthafuckas", courtesy of Def Comedy Jam...





#3: Chris Rock's "Niggas Vs. Black People".. being Black, this shit is the TRUTH!




#4: Not much D.L. Hughley on YouTube (my boy D Habs thinks that his TV show killed his rep -- convincing argument); he is funny no matter what. Peep game...




#5: Richard Pryor vs. Chevy Chase on SNL... classic.


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Amit "Never Ending" [review]

[Note: This review is based on the CD version of this album. The vinyl version is cool, but I don't buy vinyl, I buy CDs, and all of those vinyl tracks are on the CD.]

Here's one package I have been waiting for. Ever since I heard Amit's "Erazer" on L-Plates, I've wanted to delve deeper into his sound. There are some fanboys who assume that the tracks he produces are not DnB because there's no heavy emphasis on the drums. That's a decent argument, but the tempo and pace of each tune fits perfectly with any DnB set you can throw together. And Amit tends to eek more feeling and emotion out of tracks that don't have much going on. While other soundboys cry over the lack of minimalism in modern DnB, they totally neglect the vast spaces that Amit leaves inside each and every new tune that gets released. It's almost as if he has a limit of tracks on each production, and then leaves it up to the listener to fill in the space, which all but enhances the experience for heads like myself.

This being Amit's first full length album, there were some initial thoughts going into this: can you truly listen to "half-time DnB" for almost 80 minutes? Will the "Eastern" sounds that he was coming with, tune after tune, be prevelant throughout this disc? Is he just a one trick pony? Well, in order, the answers are Yes, No, and Hell Fucking No. The fact that he can throw some slick political undertones to tunes like "Live In India", with it's random pull-back sounds and "fascist" sample towards the end, to the aggro-march of "Swastika", which sounds like Alec Empire-esque fury on slow motion, is pretty ill. The samples overtop "Swastika" are spoken in almost a chant, sounding almost like a call to arms against whichever government is fucking up that day. "Too Many Freedoms" skanks along with a call-and-response feel of the bass and the echoed chime sounds. The bass and kicks drive the track into a spacefunk zone that not too many producers are willing to cross into these days. Outrage steps in on the CD opener, "Unholy", to assist Amit in an epic roller. My favorite dub sounds run red throughout this track -- distorted vocal samples, THICK bass, random snare hits, and that feeling of despair... it's a perfect way to start this journey of a disc.

For cats like me who don't buy vinyl for whatever reason, we are treated to some of Amit's previous releases on here. His most recent, the heavily rinsed "MK Ultra", the aforementioned Eastern-vibes of "Village Folk", and "Erazer", which sounds a tad dated compared to how far Amit's sound has progressed in the last 4 years, but it is a good reminder of how solid and singular he truly was in his beginning stages. This CD has 3 tracks that are previously unreleased: "Live In India", "True War" and "Night Shift". Each track provides a different side to Amit's talents, and they all stand out for different reasons.

In the end of the day, if you want your sound dubby and to the left, this CD is where it's at. It shows us that a) Klute is the fucking man at spotting talent and b) Amit is no fluke. I can only hope that this not even the start of the race; funny thing is, if Amit were to perish tomorrow (God forbid), I could grow old listening to this CD. You pick up new things upon each listening, and there is just enough variation that you will truly not get bored.

rock the dub score: 9 out of 10 for consistency and leftfield production.


For more information on Amit, check out his page on the Commercial Suicide site. If you want to purchase this album, check out this link, this link, this link, and try this link right here. One.

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NAPU or STFU

OK so Nas is saying Hip-Hop Is Dead. Not a new boast at all, so we can leave that alone. Yet, the God MC does what for the album he is helming, due out this September? Nothing. You mean to tell me, in resurrecting Hip-Hop, you enlist the people who helped kill it? I mean, I can understand you want "bangers", but Timbaland and Scott Storch? And fucking will.i.am?!!?!?! I don't get why Nas needs to try and go pop again. Remember "Hate Me Now"? Diddy spitting out Cr*stal?? Yeah that helped you go NOWHERE. And this is on the heels of the leaking of "Where Y'All At", which is catching mixed reviews. I give it an 8 for lyrics alone; the beat is kind of sparse (Salaam Remi on the beat?), lacking almost. I still knock it though.

I saw all of that to say this: where is my NAPU (Nas And Premier United) album? You guys talked about it in that issue of Scratch Magazine... sheeeit, you graced the cover together! Don't fucking play with me. I mean hell, at least Primo is making some hot shit with Christina...

Nas, don't fuck this up man. You got a lot riding on this... if you fuck this up, it's going to be a WHILE before some fans let you come back inside. Truth be told, many of your hardcore fans don't want you in their kitchen now. These are "One Love" niggas. Don't shut the door on us. Please don't.
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weird dream...

I woke up from a weird dream... I don't know the specifics of the main chunk, but right before I got out of bed, I dreamt that Jay-Z stepped down as president of Def Jam... he said he knows he was trying to do right, but his failure with Bleek's last album was a low point, and he was disappointed.

Is that
an omen or a wish?



For shits and giggles, check out the HP commercial Jay-Z did:





I like that whole "retire" comment... man. Must be nice.

Now peep this video... Phish bringing out Jay-Z back 2 years ago... imagine that. Back in HS, I knew Phish fans who hated Jigga! And I was never a big fan of Phish so this kind of odd...





Jay flowing on Rap City. He goes from "PSA" into some straight freestyle over the "Stand Up" beat.





HAH! Classic Jay-Z video... "I Can't Get With That". Check the fast flow. He doesn't really do that anymore though. Classic.





I'll end this with some classic '96 shit. B.I.G. coming out during a Jay-Z set. Peep the Video Music Box intro. HOLLA!


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Busta Rhymes appreciation

Since The Big Bang is in stores today (peep my review), I figured I'd give some praise to my boy Busta. I've been a fan of his since the LONS days, and have followed him throughout his career. He was one of the guys who would steal your shine with his bombastic guest appearances, and he helped shape the way Rap videos looked in the 90s. Check out these clips, via YouTube, of some choice Bussa Bus moments.

#1: Peep Busta at his old high school, doing it with the kids. Battlin' this lil nigga who holds his own...





#2: Some SOHH shit...




#3: His first eye-poppin' video, the clip for "Woo-Ha Got You All In Check!" (peep the "Everything Remains Raw" clip intro... one of my fav tracks he did. Don't be around me when that comes on -- shouts to Easy Mo Bee!)...




#4: ...And the Remix ft. Ol' Dirty Bastard (RIP)...




#5: A Tribe Called Quest ft. LONS "Scenario" video... one of the first times Busta really showed his shit. Hot video all around.




#6: Craig Mack's "Flava In Ya Ear" Remix ft. Busta, Rampage, LL Cool J and Biggie Smalls (RIP)... CLASSIC!




#7: Versatile Bus on the mic... "Gimme Some More"




#8: Busta doing Woo Ha live in 2004. His live shows are hot. Never seen 'em but he bring it live.




#9: Who's the greatest poet: William Shakespeare or Busta Rhymes?




#10: LONS classic "Case of the PTA"




GO COP THAT ALBUM! The more I listen to it, the more I like it. "Goldmine" is still the jawn, though. Big up, Bus. Shouts to Bol for saying some nice words. One.
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knee drops

I wrote this poem back in March, half joking, half just writing, about this video* that was linked on the DOA forum. I just wanted to let you guys know that I'm still writing... got a new piece I'm working on. Check it out...

knee drops
1, 2
falling down on dick
head
stabbing necks means
broken specs
irregular breathing clouding my
bloody vision
30 minute dirt naps
perhaps my
felony fight was
figuratively unbright
i mean
my dim bulb is now cracked
broken on the floor perhaps
kind of like my nose
my chin my
knee drops
1, 2
who felled the tatted up brew swiller
in through nose
mexican lied
not his first fight i suppose i
should have thought before..
ah fuck it my
internet fight franchise has just been birthed
eat the earth head plunged into the ground by those
knee drops
1, 2...

*[NOTE: if you don't like watching fights online, especially ones that end with guys having a hard time breathing and getting brutalized, don't watch that video! You've been warned!!!!!]
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