Showing posts with label The Wire. Show all posts
Showing posts with label The Wire. Show all posts
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Juan Epstein (6/08/2012)


The masses have wanted Ciph & Rosenberg to speak on this week's recent events (you know, the whole Summer Jam / Nicki Minaj / Rosenberg thing), and on the bonus 99.9th episode of Juan Epstein (before the 100th, which drops on Monday), they break things down, and speak with Jamie Hector, who played Marlo on The Wire. And if you fucks with The Wire, check out this DOPE article from Maxim, featuring a number of creators and players from one of my top 3 shows, ever.

DOWNLOAD Juan Epstein (6/08/2012)
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TSS x Avon Barksdale

If you were a fan of HBO's The Wire, this interview is a necessity. Shouts to TSS.
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rock the dub radio: episode 031

No excuses. Well, a shitload of excuses, mainly lack of time or energy to knock a new episode of rock the dub radio out. Haven't had a new one since December of '08, and that was my fault. This episode was supposed to be two things: one, it was to highlight my favorite tracks of 2008, and it was to serve as an ode to a fallen soldier, Snoop. I got the first hour done a while ago, and it did both things... but I never sat down to finish hour two. Hour two is just a dumb out, with me throwin' in some joints from the last few weeks that have gotten 'nuff play on my way back and forth to work. And it concludes the Snoop saga. Your thoughts...

DOWNLOAD \ MIRROR \ SUBSCRIBE

Tracklist:

01/Intro
02/Duo Live ft. Billionz, Joell Ortiz, Red Cafe, Uncle Murda & M.O.P. "Shootin'"
03/Joe Budden ft. Joell Ortiz, Nino Bless, Crooked I & Royce Da 5'9 "Slaughterhouse"
04/Slaughterhouse "Onslaught"
05/Yankee Pride Interlude
06/Elzhi ft. Royce Da 5'9 "Motown 25"
07/Akrobatik ft. Talib Kweli "Put Ya Stamp On It"
08/Big Boi ft. Raekwon & Andre3000 "Royal Flush"
09/The Roots "75 Bars (Black's Reconstruction)"
10/Drive-By Interlude
11/DJ Babu ft. MF Doom & Sean Price "The Unexpected"
12/Heltah Skeltah "The Art Of Disrespekinazation"
13/Billy Danze ft. Busta Rhymes "Undescribable"
14/Wal-mart Interlude
15/Guilty Simpson "The Real Me"
16/B Young "Alarm Sound"
17/The Set-Up Interlude
18/Commercial Break
19/MoodSwingaz ft. Ace Lover "Primetime"
20/L.E.G.A.C.Y. "Crouching Writer"
21/L.E.G.A.C.Y. "Happy"
22/Icadon "Earth Quake"
23/Drake ft. Tanya Morgan "Right To Left"
24/Tanya Morgan "Just Not True"
25/Brokn.Englsh ft. Skyzoo "Clarity"
26/Clipse ft. Kanye West "Kinda Like A Big Deal"
27/Fat Joe "Hey Joe"
28/GDP "Succomb"
29/Cam'ron "I Hate My Job"
30/BK Cyph "Ode To Panamanian Cricket"
31/Tech Supreme & Tef Poe "Do It For You"
32/Willie Joe & Bobby Ray "Lil' Rascals"
33/How My Hair Look? Interlude
34/Tony D "Adam's Nightmare"

Not sure when the next official episode of rock the dub radio will drop, but I had to get this one off my chest. I apologize to anyone who faithfully looked for these every other Sunday... I had heads asking me about the podcast, and I felt like a douche because I just couldn't finish this one for whatever reason.

Let me know if you're feeling it!
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Jim Jones ft. Juelz Santana & Big G "Girlfriend (DC Mix)"

Jim Jones ft. Juelz Santana & Big G "Girlfriend (DC Mix)": I had no idea Slim Charles was an MC! Anwan Glover jumped on the official remix of Jimmy's "Girlfriend", which was found on Pray IV Reign. If you remember Slim, he was a real nigga - did what he had to in any situation, and while he was loyal, he knew who and when to roll in and out. Just off the strength of his character in the show, I'm posting this.

Big up to Buck Marley for the heads up!
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B Young "Alarm Sound"

B Young "Alarm Sound" (prod. by Tha S Ence): My homey Tha S Ence hit me with this cut he produced for B Young, aka Brandon Young, who many fans of The Wire may remember as reporter Mike Fletcher. From what I understand, dude has been making music for a bit, doing shows, and this is just the beginning... peep this recent interview with Classic Drug References. Fresh.
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[rock the dub Interview]: Panama

I love when you find out that an artist you are speaking with is someone you have definitely seen before, but have no idea where. I had that happen to me at the end of 2007, when Panama hit me up. He had sent me some of his tracks earlier in 2007, but it wasn't until late 2007 that we spoke on doing this interview. Funny thing is, I was watching season 4 of The Wire, and had just watched the episode where Bubbles gets beat up and robbed, and finally two and two got put together: Panama was dude fucking Bubbles up! Come to find out, dude is a lot more than a hood who whups on smackheads - he is both an up and coming MC, as well as a man trying to get a fashion line and label going. I am kicking myself for not getting this up during the final season of The Wire, but things just happen that way. In any case, peep game:

khal: First off, can you tell the people a bit about yourself? Where are you from? How did you get involved in rhyming, acting, clothing design? Who are you affiliated with?

Panama: My name is Panama aka Da Spanish Kid, Mr. “North Dat Crusie wit Da Souf” (out now), Mr. “Come see more u need more when u step foot in B’more”, I just happen to be that dude according to the public lol. I was born in NYC and partially rasied in the Bronx & Baltimore, but if cats want me to get technical I’m originally from Panama, the real jungle. I’m from where kids will pop you for a peak of the fridge or simply a dollar, it gets that ugly. I got involved in rhyming when my cousins told me I was nice at it at an early age, like 15 or 16; it’s more like a hobby not something I wanted to do on some real shit!! If people don’t know, I am an actor first before a rapper; this is the craft I will do for free because it’s my passion. The clothing line came from a good friend of mine: he started it up and I wanted in - I figured he had something hot and I wanted to help to see him prosper, and to keep it real with my fans… I wanted to get some free shit at first!! Now that I’m part owner, I am so happy I made that decision early.

khal: What is it about you that’s different than other entrepreneurs in the game?

Panama: The difference between me and other entrepreneurs in the game (is that) I have loyalty, respect and I am a true grinder - I really does this 24/7… I’m here to build relationships and start a movement. Sometimes, I think people get caught up in a lot of bullshit. I move with intelligence and caution. I can’t lie and say I don’t want to benefit from my craft or ideas that I put out, but I’m not trying to get over on people (that) I want to bring along on my journey.

khal: For those who have never heard your style before, could you describe it in 3 words?

Panama: You know, it’s quite funny that you ask that question, because I don’t feel I have a style, but let me take a stab at it. I consider myself a true artist and a natural born entertainer, but here are my three words that may describe my style: poetic, pure and fresh.

khal: I also hear you are a co-CEO of YE Records. What is YE all about? How many artists are up under your label?

Panama: Yes indeed I am co-CEO of YE Records. YE is the foundation of my whole movement, it stands for Young Execs, where every man is a boss and you take orders. I run the label with my man Shawn Smith, Jr. and my cousin J’mar White. I don’t consider myself having people under me because everyone on this label is practically family, the label has 4 rappers including myself Barba, Dungin and MJ!!! At this current moment, I am YE records.

khal: Do you have any album projects coming from either yourself or other artists in the near future?

Panama: You already know that I’m grindin’. With that being said, I have a few projects coming out early 08!!! I have a tape with DJ Black Jesus from Dallas, TX entitled Street Money; to follow up that classic tape my producer/brother BlackJab teamed up with DJ Stacks and DJ Cause to drop another tape. To top all that, BlackJab and I are working on an official mix album entitled, RING SIDE SEATS: THE WEIGH IN that will have features from Skyzoo, Sha Stimuli, Vic Damone, Q Da Kid, Sparkdawg, Yungtexxus, etc. Not to mention I might squeeze another tape out before the official the mix album with DJ Ghost entitled Field Trip, so look out for that!!

khal: You spent your life growing up in two different spots on the East Coast: the Bronx and Baltimore. How did your time spent in both spots help shape the kind of guy you are, not only as an artist but as an overall person?

Panama: It shaped me up crazy: both cities are totally different, not so much the cities but the people around me. Being from New York, it made me a big competitor and a tremendous grinder, but when I came down to B’more I was able to become a man. This city is where I fought most and built relationships with some of the coolest cats you will ever meet, which today is known as YE and Bottom Line!!! I have a balance, but honestly speaking, it wasn’t these spots that molded the kid, it was my country Panama, the realest of the real, where I seen and lived in true poverty and real ghettos. Today, I stand as a young man that don’t take life for granted and knows that there is no time to waste.

khal: Speaking of Baltimore, I think its crazy that I’ve seen your work without even knowing who you are: you were dude beating Bubbles’ ass during Season 4 of The Wire! How did you get involved with such a great show?

Panama: Well, I’m an actor at heart so don’t be surprise when u see the kid in mad films and commercials because this is what I do for real. I am a college graduate with a BA. I have a manager (Linda Townsend) and she linked up with Pat Moran, who was casting the critically acclaimed series. My manager set up an audition for the kid and I went in and did what I had to do to land the part; truth be told, I was only promised one episode, but after the directors saw my performance, they continued to write my ass in the script and I became known to be the dude that was beating up Bubbles, big shouts to BUBS!!!

khal: Do you have any further acting gigs that you can talk about?

Panama: I stay auditioning for acting gigs, what I can tell you is that I’m up for a role in a new movie with Russell Crowe entitled State Of Play…other than that, I’m goin’ hard with my music and my clothing line.

khal: What are the similarities between acting and being a rap artist? If you could only do one, which would you choose, and why?

Panama: Both crafts are very much alike: you are allowed to express yourself in many different ways. Look at this way: most rap artists have a character that they create for themselves in order to sell or feel comfortable in. It’s quite hard to find a real rap artist that is truly themselves. In both crafts you need to make the characters believable in order to be respected by those who watch or by those you are entertaining. If I could only do one, I will act; this a craft I went to school for and craft that I will do for free… true passion when I display this amazing talent God has given me.

khal: Tell the people a bit about your fashion line, Bmore Creative.

Panama: Bmore Creatives’ success is a result of hand quality art inspired by spontaneous ideas that come from emotions and personal moods. The customer is presented with the opportunity to wear affordable clothing while having a fly and fresh look of color schemes, quotes, and limited edition pieces that are created with a stroke of a brush. Artists such as Juelz Santana, Method Man and Lupe Fiasco “dare to be different”, following the motto of Bmore Creative, while displaying their own lyrical art. Bmore Creative specializes in quality art, not quantity; the clothing line can be found in Baltimore, MD and will soon extend its appeal to the world. Bmore Creative clothing is universal, with a marketing and advertising concept to unite both urban and suburban America.

khal: How far are you trying to take your music career? Do you want to be someone who’s well respected in the Rap Game, or someone who is getting that cheddar?

Panama: I’m tryna take my music career as far as it can go. There is no limits to what I can do and what I can accomplish. I plan to have a lengthy career in the music industry. I am a complete artist and I’m real to what I do and what I say out of my mouth. I have a passion for this: this is not a quick scheme for me to get money, even though I do want to benefit from my talent, I do music because I love music, I act because I love acting and I entertain because I enjoy people. I want to be respected in the game and become a household name, point blank. I figure if I’m a household name and I’m well respected there is no question that the kid is getting paid.

khal: Where do you see yourself and your projects going in the next, say, 5 years?

Panama: I’m gonna keep this one short and sweet, on top of the game and nothin’ but classic material…I am poetic P and you got to respect poetry!!! It’s nothin’ like hearing a fresh sound and real shit…how can you deny that…if you do, you hating and that’s always good right? Lol…you don’t have to answer that!!!

khal: What can we expect from you in the immediate future?

Panama: Just expect more music and hot tapes from the kid and me signing to one of these labels that been calling me for the past few months!!! Also, expect my personal websites and if any of my fans have names for me, message me through MySpace and I will check it out… if I decide to use your name, I will send you an autographed box set of The Wire!!!

khal: Do you have any final words or shouts you’d like to kick to the people?

Panama: First and Foremost I will like to thank my fans, it’s a beautiful thing when you know you have fans and all that. Anyway all my fans and supporters can check the kid out on YouTube for my footage!!! For all my new listeners and fans come and check out my MySpace page and my clothing line. I will also like to thank a few sites that hold me down all diddy day, HipHopBase.net (Teks), Raptalk (Dub MD), HipHopRuckus (Corey, BadNews), Talk Dat Ish (Tionna Smalls), CrackAudio.com (Stun), hiphop.org (Adept, Owl), HHPulse, Rago Magazine, ONX2804.com (S.J. American way) etc.; I will like to thank you for taking interest in the kid, I really do appreciate everything. I do this music thing for y’all; I love what I do and I’m gonna do it ‘til I can’t anymore. I will like to thank my label , my partner Andre Williams, my camera man Alex P, my engineer Antonio Corcella and my dude Awthentik (Capitol Music); I want to send a big shout to my super producer BlackJab. Much respect to every artist I deal with like my dude Rated R (ESR), Lo Smooth, Sha Stimuli, Skyzoo, Q Da Kid, Agonee and my two cousins Sparkdawg and Yungtexxus… live well, love life and laugh often…other than that lets get it!! By the way if you are ever in B’more to party come party with my promotion team Jetset Mafia and Goodlife Productions… we have the city on lock down – it’s not a game!!!

related links:
Panama on MySpace
Bmore Creative
Xclusives Zone feature

Sucker Freestyle:
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Farewell to The Wire In-Store Event

All you NY fans of The Wire should hit this event up at the HBO Store this Thursday. Take off work and go get your shit signed!
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The Wire, Season 5: "-30-" [recap]

It's really over. XXX. Fin-i-to. Done and done. And while most things change, The Wire shows that everything in stays the same - maybe different faces, but the same old shit. So is life...

McNulty & Freamon ended up getting found out and got off, although I find it hard to believe that McNulty can live the civilian life. Freamon? He's good with a beautiful woman and some antique dollhouse furniture to sell. McNulty? He is just, as Landsman said, "natural poh-lice". You see how quick he figured out that copycat murder? That nigga still has it in him...

While I don't think it was funny, I found myself laughing when Bunk and Kima realized that the latest death was a copycat. Bunk is chewing McNulty out on the sly, mainly due to the cameras and shit out there. I missed the Bunk in a lot of these episodes - him playing it close and on point didn't give time for him burning his clothes or any of his other escapades. Great scene for the "black liar".

You knew from jump that Carcetti was going to sweep the whole fake serial killer angle under the rug. He had no choice if he wanted to keep his career going - and everyone had to fall in line as well. Sad part is, everyone pretty much got away with it - aside from Chris Partlow and Monk, everyone else is either dead or out of the game (on both sides). And what gets accomplished? Scott Templeton gets an award...

That tense scene with Scott yelling at Gus was just what I had been waiting for! Scott so frustrated as everyone was disbelieving him, and his "it's in my notes" cry ended up getting Alma moved and Gus demoted. But it seems like Gus was happy, at least his replacement was a great, truthful writer. Scott I assume left the Sun to go on to USA Today or some other rag, and the cycle just kept on moving from there.

Where was Clay Davis in this episode?

How sad was the whole scene with Dukie and Prezbo. You could smell the horse manure and spot the vials cracked up in Duquan's shoes. I had a feeling he would turn to that life, and would joke about it, but seeing Dukie shooting up - that was just deep. On the flipside, it was ill to see Michael become the new Omar. I assume he's not gay, but it was dope to see that revenge manifest itself in Michael sticking up the older gods.

Oh and ROFL at Cheese getting so cocky and getting his wig pushed back by Slim Charles. That needed to be done, and although Slim cost the Co-Op $900K, he saved them a load of headaches.

Fuck Carcetti. I knew he was a snake, and Daniels was 100% right for wanting to burn Carcetti with what he knew. He had no choice but to quit, though - he would be hurting his ex-wife as well as his white lover. Man can't burn both bridges. And plus, we got to see Valchek's sly old ass up in the mix!

LOL @ David Simon's cameo in the newsroom. Tres Hitchcockian! (Peep Salon.com's interview with Simon.)

I mean, what else is there? I was pissed as hell at Herc for snaking his way into the limelight, even though I guess he sees himself fucking the system that fucked him - although I don't think he was Sarge material at all. TV Squad thinks Levy knew Herc jacked the cell #, and maybe he does - essentially, they used each other, and are about to cake off on this case.

And Marlo. Can't escape the streets. I must admit: I saw him as a cocky, arrogant ass. I realized with this episode, though, that he was the smart guy. He knew he could get out the game with serious bread, and do what Stringer Bell couldn't. Levy saw it, too. Levy would let Stringer go on those meetings and get bled, but Levy seemed to look out for Marlo. In any case, Marlo just loved that power. He had to get out on that block and taste his own blood, make sure he could still do it. For that instant, he was satisfied... and I honestly believe he could live without the game. He's a businessman, right?

In the end, like I said from jump, it's all cyclical. Someone has to get shot in the leg. Someone has to become the new commish. Someone has to be McNulty. Someone has to keep the gears moving. We all do, just to get by. Thing is, The Wire was about showing you where the holes are, and exposing you to what might work in shifting those gears. The thing is, like with global warming or our presidential parties, we're too stuck in our ways, and afraid of change. We know what would be good for us, and expect so much, but don't realize that life isn't all glitz and glamor. Why do you think Omar caught a slug in the dome from a kid? You wanted that hail of bullets. As great of a character as Omar was, he was still a stickup man. They don't cover stick-up men in the paper, the fuck make you think he deserves some blaze of glory. Life doesn't work that way, and until we take shows like The Wire seriously and start to make a change, shut the fuck up about things being different.

I will miss this show. It spoke to the people in the struggle, and showed the bigger picture in regards to the ills of our society. I loved every minute, every frame, every milisecond of speech. I'll miss Bunk's cigars and Marlo's scar. Clay Davis' wit and McNulty's grit (as well as the tits of the chicks he boned). I'll miss Kima's voice and Carver's hard choices. Freamon's wisdom and the many dumb-ass characters throughout the show. Bubbles' will and Slim Charles' ill cool. Prop Joe and Omar. Avon and Stringer. Bodie & Poot. Prezbo. Randy. Gus. The Sabotkas. Norman. There's so much I love and truly appreciate about this show, and the words are meaningless right now. Go sit down with all 5 seasons, watch the quilt get made and then wrap yourself up in the comfort, knowing that real life is just that real.

Thank you for putting out The Wire.

Hit up the HBO.com synopsis on this finale, as well as The Wire Public Record being made.
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[video] "Sheeeeeeeeeeeeeeeeeit"

You gotta love how I came home to see if the series finale of The Wire was up on HBO On Demand, and I found this:



Shouts to Clay Davis. I guess it's due to the amt. of leakage of this season on-line. Makes sense - but... sheeeeeeeeeeeeeeeeeeeeeeeit! I need my fix. Now I actually have to watch TV Sunday night!

Shouts to the Boom for posting this.

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The Wire, Season 5: "Late Editions" [recap]
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The Wire, Season 5: "Late Editions" [recap]

First off, RIP Snoop. You went out like a true G, calm and collected. That "how my hair look" line was just smooth... I love how they did that. I also loved the noise she made to get Michael's attention when he was on the block: it was like a frog coming in with that prolonged "eh-yooooooooo" shit. So true to the hood - I hear niggas with that shit every now and again.

Speaking of Michael, I thought that whole shit was great, although it was ultimately very sad. I can understand why Marlo & Chris wanted him to get got - they had no choice, and they had more trust in Snoop than Michael. You would just think Snoop would have set it up a bit better. Telling Michael not to bring his ratchet was too easy to pick up on, and almost insulting for a smart nigga like him to not see 4 steps ahead. He got the drop on her, and she had to applaud him. It's just wild that now he has to shuffle his fam and be on the lam. Bug looked SO SHOOK during that scene, it was a touching goodbye, and you got to see how deep Dukie and Bug truly got to be. Plus, having an auntie and a box of cash didn't hurt at all. Dukie - damn. Why do I see the prerequisite montage dealing with him sucking dick or shooting heron? I mean, he was going to live at the stables. TV Squad thinks that Michael was being cold as sort of a distancing mechanism, which I think might be partially true, but I also think that Michael was upset over Dukie's choice of where to be dropped off. Dukie came from that life, and was too smart to end up on that shit. The other thing that I thought was touching was the bit about the "piss balloons": I don't think Michael was trying to be cold, but think about it - Michael has seen a lot. A hell of a lot has happened in his life, and an afternoon of piss balloons and ice cream wasn't top on his good memories list. Michael is stone cold - he's a fucking man right now. Dukie is stil stuck in that kid zone, and that's what always separated them. It's a sad seeming end to their story, but I have a feeling Michael will come to play in the finale.

Oh, and big up to Bunny Colvin for rearing Namond into a debate speaker, although I wish we had seen a bit more of him. Nice touch, though.

Gus = a beast, as my boy Darryl would say. He is so close from sinking Scott, and the scene in the vet hospital where Gus was gathering the info, that's the nail in the coffin. He did so much fact-finding on the sly this week, and each time ended up with Scott being a liar. Do you truly see Scott going down the dumps, though? Those suits love that punk something fierce - I'm not sure how much dope Gus could put on the table to have Scott canned...

Now, onto the detail. I loved seeing them get the big bust. I literally felt happy. I bet Sydnor was happy to be in a detail that actually did something. Those glances Lester shared with Marlo spoke volumes, although it wasn't until the affidavit came out that they really got what was going on. The deep part is, Michael was gonna die over the whole "source" lie, which is going to be hard to crack. The dope was on the table, the bad guys were in the clink, and now... well, now Kima is telling what she knows. I understand why she had to do it, but I don't think it's right at all. I mean, the deep part is that cats were out there researching and working this serial killer case, but other cases got work, too - INCLUDING THE STANFIELD ORGANIZATION BUSTS! Morally, she's right, but it just sucks that she will be the one to bring this down.

Did you see McNulty sulking? Some thing it was the guilt... I think it's the spotlight. At the end of the day, without knowledge of what he did to get that wire going, Lester still looks like the superhero. McNulty needs that light shining on him, to let him know he still matters - that's why he goes out and fucks these bimbos, for the adulation, not the stats. He will get the publicity, alright, but on some Bunny Colvin, bowing out gracefully shit. I don't think he will go to jail, but based on the coming attractions, it looks like the higher ups know (including the mayor), and they are hellbent on making sure this stays under wraps. We don't need another Hamsterdam, do we?

It was nice to see that bust go down at the same time Rawls & Daniels are being told to bring down the stats. So funny.

What also had be cracking up was when Snoop and that kid were in Levy's office, telling him to cop to that plea b/c he was on crutches. It's kind of funny when you think about it - drug dealers don't have rest periods, they have 3 year bids. Ill idea.

What's not ill is how Herc is playing both sides of the fence, trying to figure out if there's a wire, when he's the fucker that started it up. I assume he's trying to keep his current job and cover his ass, but what if Carver told him "yeah, it was your number that helped us get Marlo"? He'd be gleaming...

Speaking of Marlo, how wild was that fire in his eyes?!? He needed to know who's name was being spoke in that hood! Almost like he could careless about the years, just keep my name clean. Keep me feared. At the end, that's all he's got. All anyone's got. Look at Omar - once that superman cape was taken off and he was reduced to a hobbler, a lil' hopper threw one in his dome. It's that simple.

It was good to see Bubbles, I mean Reginald, shining up there. He's the character I've loved the most, and seeing him clean and doing well for himself, especially after his journey, it's touching, and one of the lone bright lights within this series.

Oh, what was good with Freamon referencing Shardene when he was drunk, talking about she better be up? Are they fucking, or was he just joking, bringing back the old times? I'm checking Wikipedia now, and not only are they saying that Freamon has been wearing a wedding band (I think I saw that), they said that him and Shardene were sharing an apartment!? Wow...

Oh and LOL @ Freamon getting all that info from Clay Davis. Spillin' the beans. I love it. And another LOL goes to the drunk working the evidence room. Another great slide of an old face in there.

I don't even want to comment on how next week will tie things up, but with a 93 minute finale, they have a nice window of time to end things right. Not "great" or "like I want it to be", but I have no doubt in my mind that in one of the best seasons of one of the best shows on TV, ever, they will do what needs to be done.

Check back here next week. Peep the HBO summary while you're at it.

EDIT - Here's the preview for the series finale
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Trenton Crime Mimics The Wire?

Trenton is the capital of New Jersey, and my hometown. It's also being hit with some shit that seems straight out of an episode of The Wire...

Over the last week, two bodies have been found: there was the body of a decomposed woman found in an abandoned home. They believe this woman was previously missing for something like 15 months. No suspects on word as to why she would have been murked, but she did have a history of drug abuse. And just the other day, some nigga got thrown out with the trash. And actually, we've also seen some fucking copper thieves running rampant in the city, which just makes me laugh. And don't even get me started about the 7-year-old who brought 70 grams of crack to school (good thing they arrested his people).

Now, one of the assemblywomen in the city is a fan of The Wire, and commented on this, which is something I had been thinking the last couple of days. The mayor shrugs it off, but is this life imitating art, or is The Wire just that tapped in that it is shedding light on stories that otherwise go unheard?
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The Wire, Season 5: "Clarifications" [recap]

After it happened, I had no idea what was being said for the next 5 minutes. It wasn't until later viewings that I noticed that McNulty & Kima went to the FBI to discuss the outline of the killer. I couldn't even process what the fuck just went down. And in that instant, The Wire both murked off one of the most compelling characters on TV, and further established that they aren't fucking around, and never have been. We assumed it'd be a gun fight, not Lil' "UP MY ASS, GUMP" Kenard holding the pistol that offed Mr. Omar Little. This is more fitting, though. I had various heads who, like me, saw this episode last Monday, and just rewatch Omar walking into the store to pick up his "newpotes". His limp was gone. Weird, right? Take it a step further - TV Squad hit the nail right on the head: Omar was getting cocky, trying to get Marlo out there. That's not him. He either moved in the cloak of the night or had a plan hatched to do his work. He was out, bum leg and all, waging a one man army against Stanfield? In the daylight? Kenard saw him all fucked up and didn't buy the hype - and offed dude. You have so many youngbucks these days who don't have respect for their elders, and this is a proper metaphor for that whole way of thinking in the hood. Do the knowledge...
I love how Jimmy McNulty is on some Robin Hood shit, now that Carcetti has given him unlimited OT, whips and carte blanche. Shit's getting out of hand, like dude who conned the trip out of Jimmy, but it is what it is. Carver half-knows, but I think that he is really just trying to appease his men, who were aggravated early-on due to lack of OT and other gripes. Kima, on the other hand - I could def. see her snitching. She was spending time researching, dealing with upset parents and the like, only to find it's all a hoax. And she was PISSED seeing Sydnor in there. WTF can you do though?

Speaking of Sydnor, I personally was kind of insulted that the whole picture message clock thing came down to using an atlas. Aren't there like hundreds of atalses in existence? Why am I failing to believe that Marlo is using the same exact atlas as the Baltimore City Po-Po uses? I mean, it works and is a very unique system, but come on. Marlo isn't that smart, and it's just a big coincidence. At least with the beeper messages, it made sense for their situation in the projects. This is just a bit eeh for me.

Shouts to seeing Poot again. I love how they are weaving some of my favorite characters from past seasons into this. Good to see him working... although this whole Dukie thing is depressing. Now this nigga is rollin' with the junkman!? Come on, man. If you aren't cut out for shit, take your smart smelly ass back to school. Why fuck with junkman? Riding on the cart like king of the swamp people - that's no life for a 15 year old. Why do I keep thinking Dukie is gonna end up a fiend?

The Scott Templeton shit is coming to a head, and I am glad Gus is seeing it. First the war vet takes Scott to task, bringing up that he didn't have to embellish, and while Gus was kind of skeptical, I like the way he handled it. Scott is the king of those sad faces - he wasn't feeling the whole "we gonna run a correction if it holds up" thing. Then, Gus cuts dude's lead, citing an "anonymous" source in the homelessness rally piece. Good for him. I hope Scott gets shut down for good.

What was good with Chris and Snoop being so pissed off all episode, Chris especially? I mean, I understand he didn't get Omar - but he looking like he did when he rocked Michael's daddy (more on that in a bit). I loved Snoop's "youngin' on some different opinion shit" comment, but Michael was legit. Why is Marlo putting up that front? He's looking really scared out in the street, regardless of Omar being shot. Omar still jacked how many of Marlo's stashes? Just doesn't seem right.

Big up to Beadie for leaving Jimmy for a day. I don't get why he broke down and told her about the hoax, but I guess he needed to get it off his chest and sort of connect with her - but with the way he's dogged her out, it had the adverse affect. When will she leave? She has all the ammo - what if McNulty gets arrested? She's now an accessory...

What was good with Lester trying to blackmail Clay at the end of this episode? What was he trying to gain/prove? I mean, Clay knows who he is fucking with - he just knows how to get out of it. Maybe Lester is trying to buy some damage control for something?

And I could give a fuck about Carcetti - all of his campaign promises end up dying as he eyes for his next seat, making deals with everyone he can to keep costs down/hidden. Fuck him.

OK, on to next week. Did you catch the previews for next week, AKA the 2nd to last episode? I think Chris is gonna get got. Just, everything was so focused on him, and then we see scenes of Michael in a whip with a gat talkin' that "you always told me to show up early" jazz that Chris spoke of earlier in the year. Plus, Bunk got that favor from Jimmy and flipped it into a postitve DNA match for Partlow in the murder of Michael's stepdaddy. A warrant has been brought out, and it looks like one way or the other - party done!

Also looks like Marlo is gonna feel the heat. With this "fresh line", I'd imagine they hit a stash or a big buy, and all hell is gonna break loose. It has to. We're at the end.

And what is HBO going to do next? OZ? Gone. The Sopranos? Gone. I can't watch Big Love or In Treatment or any of the other drama shows they make. Just not me. How is the void going to be filled? Enlighten me...

HBO has the full summary of this episode. I suggest you read it.

RIP Omar Little... Omar's Lament:

"Let's Bang Out"


Omar Vs. Mouzone:


Bunk & Omar meet:


Bunk Vs. Omar:


Classic Heist:


Robbin' Cheese:


"Young Omar":


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The Wire, Season 5: "Took" [recap]

Start at the ending: how hilariously choice was Kima's "Goodnight Moon" rendition? If I had windows that looked out on the block, I'd do the same thing with my son. I thought that was a nice touch to a powerful episode - as well as the scenes where Kima was trying to assemble furniture, which just harkened back to the beginning of the show with McNulty's drunken bunkbed debacles. Very nice touches.

Didn't I tell you that Bond was going to fuck the dog with that case? He went up there half-assed and Clay Davis was able to play the martyr and win over the predominately-Black jury. That shit was over from jump for Bond, and Davis' performance have essentially put the nail in any political dreams Bond may have had...

I loved the whole initial sequence, with McNulty putting on that accent and calling Templeton. I liked how Scott's fear was two-fold: while he was obviously shook over talking to a fucking serial killer, he was also generally shocked that this story he fluffs up in his copy was somehow "real". He was shitting himself - and don't think Gus didn't catch McNulty's "I guess this is working out great for the both of you" comment to Scott. Pure gold. You just wish that, at this point in the season, that Gus would just call Scott on the inaccuracies of his prose. Hopefully this comes soon...

RIP Savino. Omar was stone cold with that one. It seemed like he was 2 shakes from letting that nigga breathe, but again, going back to Season 1, the payoff was that quick murk, letting out some of that deep-seeded aggression and hurt from the Brandon slaying. He is just ruthless, and it looks like this showdown between Omar and Marlo is going to come to a head, quick.

Omar had a brief encounter with Michael (you think he recognized him from the apartment shootout?), letting him know the usual "Marlo is a bitch" situation, but Michael had bigger fish to fry: he had his first true trip downtown. Bunk brought Michael in for questioning in reference to the murder of his stepdad, and while he showed some wavering, he ended up keeping his cool and giving him the "fuck you" comment. Go 'head.

Wasn't that scene with the parallels to McNulty doling out work and Gus doling out orders so dope?

I also love how McNulty is now playing Robin Hood, and giving out his now over-abundance of OT, cars, etc. to help his fellow officers do real police work. In a way, his bullshit and manipulation has worked out for what they had been calling for since episode 1 of this season, although it was hard to see Kima going out and actually working this bogus case and having to hear the stories from the deceased's family. That's just wrong.

What's really good with the picture messages they are getting from the wire tap? I mean, this is a whole new dimension, and just doesn't really fit into what the Stanfield organization has been doing. Probably an interesting twist into what the times mean, though, ala the coded pager sequences from Season 1.

And at the end of the day, who gets the biggest applause? Carcetti. The mayor who hardly knows what the hell is going on in his city, gets the major props due to his now-pointed target at combating homelessness.

Next week is going to be episode 8, and should be a doozy.

I'm going to leave you with this bad quality (i.e. camera taping the TV) video of Dukie checking the want ads that turns into a strip tease:


Enjoy!

related links:
HBO.com summary
TVSquad.com review
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