Showing posts with label Tha S Ence. Show all posts
Showing posts with label Tha S Ence. Show all posts
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YNG_BMC - TheEP

Here's a dope release that I've been waiting to drop. The boy B. Young, now known as YNG_BMC, recently dropped this EP, which is produced entirely by Tha S Ence out of Philly. Dude's flow fits perfectly with S Ence's brand of Hip-Hop. Seriously some dope shit to wake up and get your day right with. I have been a fan of dude's work for a bit, and in passing he let me know that he's got more work he's putting in, so hopefully over the next couple of months I'll have some new treats, but dig in to these with a bowl of Wheaties (or weedies). Getcha mind right.

DOWNLOAD YNGBMC - TheEP

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The HU$ ft. Hezekiah, PORN & Poindexter "One"

The HU$ ft. Hezekiah, PORN & Poindexter "One": Some infectious shit to wake up to from The HU$, fka(?) Hustle Simmons, aka Dave Ghet & Tha S Ence. Straight hypnotic Hip-Hop from the 215th, from their No Days Off project. This is one of those tracks that I put on and have to rewind and let soak back into my cipher. Just some feelgood Saturday morning shit. Wake up, puff a dutch and get your grown man on.

Dave Ghet + Tha S Ence (The HU$) “One” ft. Hezekiah, PORN, & Poindexter by thasence
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Tha S Ence Presents Hustle Simmons Instrumentals

Do you guys remember the Dave Ghetto & Tha S Ence album under their Hustle Simmons guise that dropped in 2008? If you did, you need to wake up and grab that, early. These two rep the tri-state Hip-Hop scene to the fullest, and provided an intoxicating project. Tha S Ence felt it was time to let niggas know, and gave away the instrumentals for this opus the other day. I’ve been following his work for a bit – possibly prior to starting RTD – and he’s got that knack. Dude knows how to pick the right sample and dismantle it for his use. Not too many of his beats I DON’T like, you smell me? Take a gander.

DOWNLOAD Tha S Ence Presents Hustle Simmons Instrumentals
Tha S Ence - Hustle Simmons (2008) Instrumentals by thasence
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Tone Liv Path Train To Jersey

Some more of that Jersey pride for a #musicmonday. Tone Liv (aka Da Mayor) comes correct with this ten-track FreEP, with production from a few RTD favorites (The Custodian of Records, Tha S Ence), and adds his signature poise and flow to the beats, seemingly effortlessly. You keep sleepin' on Jersey, but my state shits on many others. Hit the jump for the goods.
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Buff1 It's A 1derful Life Mixtape

Let's see if this mixtape is up to snuff: does it feature one mad talented MC? Yes, Buff1 is the truth. Is it mixed by a phenomenal DJ? Yes, Rhettmatic is the shit. Does it contain loads of features and sick beats from dope artists? Yes, this one is stacked with features from Hustle Simmons, 6th Sense, Ski Beats, Cook Classics, Donny Goines and more. Finally... is it free? Yes indeed, grab this shit below.

DOWNLOAD Buff1 It's A 1derful Life Mixtape

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Hu$tle Simmons ft. U City "Raise The Bar"

Hu$tle Simmons ft. U City "Raise The Bar": Looks like Tha S Ence & Dave Ghetto have a new album on the horizon! As it is with the first leak from these projects, they come out swingin', this time with U City along for the ride. No word on when No Days Off will be released, but keep it locked for some more info on what's sure to be a refreshing treat for true school lovers.
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MAGr "Feelin' Us"

MAGr "Feelin' Us" (prod. by Tha S Ence): Damn, when these 3 get together, shit pops off! Shouts to my fam at Public Axis for lacing me with these joints. These tracks will not be found on their No News Is Good News album that's set to drop, but consider this as a dope intro to what they're working with.

With the great loss NJ Hip-Hop received this weekend, its good to know that fresh talent still brews. MAGr in the building like BLAOW!

Bonus Beats MAGr "Spike Lee" (prod. by Mike Slott)
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MAGr "Dealings"

MAGr "Dealings" (prod. by Tha S Ence): Distantstarr & Al Mighty, AKA Camden's MCs Always Get respect go for broke over another banger from Hustle Simmons' Tha S Ence. These cats have a fly delivery, reminds me of the shit I used to groove to in the late 90s, just with production that's way more fresher (no Kanye).

You can catch both MAGr and Hustle Simmons up in NYC on Sunday, November 2nd, as EODub presents Hustle Simmons, MAGr and Swave Sevah's B-Day. DJ Akshun will be on the decks, and word is it's ladies night!? Show starts at 9PM.
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B Young "Alarm Sound"

B Young "Alarm Sound" (prod. by Tha S Ence): My homey Tha S Ence hit me with this cut he produced for B Young, aka Brandon Young, who many fans of The Wire may remember as reporter Mike Fletcher. From what I understand, dude has been making music for a bit, doing shows, and this is just the beginning... peep this recent interview with Classic Drug References. Fresh.
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The Lighthouse Project (Disc 1)

I told y'all on Friday that this was coming. It's been a bit, and I've gone batty trying to get this paired down perfectly, but I am happy with how this came out, overall. This is my testament to the talented artists who hit my inbox on the regular, who stay hungry and, whether it's imeem or MySpace, Facebook or CDBaby, these guys are not letting their talent go to waste. Look at this as a celebration of the dope MC, the dope producer, and the true Hip-Hop that's still alive and well...

01. Cyrano aka Cy Yung "Reel Hip-Hop": This was the first track I received for the compilation, and it was always the intro. I envisioned this comp as a one CD thing, and this was always track 1. Just has that ill intro appeal, with the way the piano was flipped, and that message, basically trying to let the mainstream know that there's more out there than what Clear Channel gives you. Representing the BPA, Cy Yung is an ill emcee that has gotten love on this site ever for a bit. I know him and J. Slikk have some ish going on in terms of a collaborative LP, as well as the Y'All Soon Gonna C-Y EP with Toronto producer Cynergy Soundz (which is where this track comes from), his Cyrano's Edict EP, the Rosie Perez project, and a bunch of other things I can't reveal as of yet... BPA is coming on like a bullet train, y'all.
02. Tech Supreme ft. Ajunel "Famous Flavor": And this track was always #2. Tech was voted Best Hip-Hop Producer by the St. Louis Riverfront Times back in 2007, and if you listen to this horn-driven banger, then peep his remix of Lil' Wayne's "Lollipop", you can hear the diversity. I know he is working on an album, and I am pretty sure this cut is on it, which should be a great primer to what he has dropping in the future. The 'Lou is much more than Nelly and Murphy Lee. I love that Delorean line - this is def. some back to the future shit, just has a cool vibe that Tech attacks perfectly.
03. R.O.E. "Can't Help Myself": This is my jam, forreal. A magnificent beat cooked up by the one like J. Slikk, who has become a fast friend, is the perfect bed for Rising Over Envy's flavorful flows. It's hard to come wack on this beat (J. Slikk is a beast on the boards), and R.O.E. has the perfect flow and poise over this track. The bass in this takes me back to the mid-to-late '90s, just that back-of-the-whip, dutch-passin' vibe. R.O.E. has an EP on deck that should be coming sooner rather than later, but for now, grab that Return of the Soulstar for more fire, and revel in how R.O.E. coasts on this beat. Another BPA representative.
04. Hustle Simmons ft. 84 & Fel Sweetenberg "The Rundown": For you Johnny-come-latelies, I interviewed Tha S Ence back in '06, and this Philly-residing producer has been working on some fire, including the forthcoming project with Dave Ghetto under their Hustle Simmons guise (their LP drops on iTunes on June 24th - I've heard snippets of the jawn, and its something serious). This cut screams boom-bap, with some wicked horns hopping on top of those cripsy drums. With the 215's 84 and NJ's Fel Sweetenberg providing the perfect compliment to Dave's bars, this track is a certified heat rock for your block.
05. Brokn.Englsh "TCBY": Had to get some more Jersey on this comp. Brokn.Englsh rep Hillside, NJ, and come with the heat (peep the video for this jawn here). This beat is infectious, with that weird ass vocal in there - ultimate rewind material (it was produced by Dert, who I can't find a valid MySpace URL/website for). And those punchlines in this one? Potent. I've been quoting a lot of the lines in my head, including this personal favorite: "I'm a killer with text like anthrax messages..."; probably not the most politically correct line, but being a writer myself, I love those cold ass lines about your craft. Watch out for these cats - Myk Dyaleks is already working on some new ish, and I imagine the others are following suit. Infinite respect to J-Dub for putting me on to these cats.
06. Genesis Elijah "Hard": Genny (AKA the Voice of the Angry Black Male) is an MC from the UK that I interviewed for the now-defunct e-zine The Flow, and I am glad to hear he is still creating fire. This track begs you to question: what can truly be considered HARD? One answer is, that BEAT, with its thick, woofer-beating bassline, and those crazy sounds overtop? Whoa. Dude has 'nuff knowledge, and now with what seems like the right people behind him, I can only hope we get to hear more from this gifted MC. You also have to respect how much the UK appreciates real Hip-Hop, even though I imagine their mainstream still has the "money cash ho's" tracks that so densely populate American Urban Radio. Props to Nina and Escape Route Music for the hookup.
07. Muja Messiah ft. Slug & Hap "O'Silly Me": This is from Muja's MPLS Massacre mixtape, which is just pure dope. Atmosphere's Slug is featured on here, and they all take to task these chicks who are on your jock when you are making it... but seem to ignore you when you're low. The other thing that killed me was the pro wrestling lines in here - sorry, been a fan since the early 80's, and any reference to Jimmy Snuka kills me. You know how it goes. Minnesota in this! Muja's LP drops on July 29th - keep it locked!
08. Nov Gannon "Epiphany": This is actually one of the latest additions to the comp, but I had to put this one on here. Just has that ill vibe I was looking for to mix up this disc. That old school sample just works so well. Nov's one of URB's Next 1000, and also represents over at Flew Humble Martians. He classifies his brand of Hip-Hop as "Hip-Hop Fusion", and while that name makes sense, its just pure Hip-Hop to me.
09. Che Grand "Swing": Dear Che - I interviewed you back in July 2006, and Everything's Good Ugly is still not out. I know, I know, by hell or highwater it will be out on your born day, but I want it now, especially with tracks sounding as dope as this club-ready cut you allowed me to drop "Swing" on this comp. Let me, and the world, know when this is coming. Tracks like this always get me, because people think underground or backpack Hip-Hop, and think "this shit won't pop in the clubs", but I guarantee if someone like DJ Khaled dropped "Swing", it'd be a wrap - panties would drop, Patron would get bought up, and Che would be on TRL, cheesin'.
10. Junclassic "The Promo": Jun is one of two Monster Island Czars on The Lighthouse Project (he goes by the AKA Gabarah when with the MIC), and he flips a breathless, hookless stream of consciousness flow on this reworking of a Jungle Brothers classic. Just a dope track that might require multiple rewinds before you really hear what he's saying. Pure unadulterated, raw Hip-Hop - dope beat and dope rhymes, no nonsense. No frills fire.
11. L.E.G.A.C.Y. ft. Sean Boog "That Me Shit": Exclusive shit. Out of all of the Hall of Justus niggas (as well as the Rawkus 50 heads that L.E.G.A.C.Y. is grouped with), Leg has been my favorite. Dude just has those wild lines that make you stop midtrack and just... think. Really captivating writer, especially when he goes introspective. This is not on that flavor, though. With Sean Boog on the hook and Khrysis on the boards providing a heavy track, Leg gets on his mixtape shit and just comes with bars bars bars. Watch out for his forthcoming Suicide Music album, as well as the S.I.N. Music Group.
12. Aych "She's Cheatin'": This is one of two Wally Clark-produced cuts on this compilation, and this one is pure comedy. The title says everything, and fans of the show Cheaters should be up on the premise of this track. Aych is coming with some fire, please believe - lyrically, dude is creating some ill tales, and he does it without compromising his steeze. You don't find that too much these days.
13. Bun B "That's Gangsta (The Amps Remix)": Wow. Not only do L.A.'s The Amps provide a serious dubby-feel to the beat in this one, but they completely axed Sean Kingston's hook (aside from the "yeah!", which sounds dope). Bun's fierce flows sound so perfect over this big beat. They've already been featured producers on mixtapes for cats like the Clipse and Ray Cash, and are working on a plethora of remixes for artists like Weezy, Rick Ross, Eightball & MJG and others, so keep your eyes peeled for these talented cats.
14. Styles P ft. Swizz Beats "Blow Ya Mind (Benja Styles Remix)": For those paying attention, I dropped this weed-soaked anthem on the 19th edition of rock the dub radio. Benja Styles throws a throwback beat underneath Styles' latest ode to the greenery, and this actually sits much better than Swizzy's original. Has that blaxploitation vibe to it, which is something I'd love to zone to if I was still chiefin'... and don't get it twisted - Benja is more than just a Hip-Hop remixer/producer - he has many styles!
15. SIN "Last Night": SIN is a dope North Carolina spitter, with an everyman-appeal and some wicked flows. He's not super flashy, just real, and when he's in the pocket, he's murder. SIN beasts on this banger of a beat, bridging the stylin' from the old school with the aggression of today, this cuts a sleeper. This is another cat I interviewed for The Flow who's kept in touch, and kept making heat, getting love stateside as well as in Germany. How does that work? Consistency... pick up his Warning Shot mixtape to get more fire like this.
16. Both Nice ft. Jelani "The Cuchifritos Groove": Those Notherground cats are working on a ton of stuff, from Jelani's forthcoming Wait, You Can Rap?!?! album to a ton of other stuff. "The Cuchifritos Groove" is some slick shit, something to lean and rock to. Bang this one LOUD in the whip, and feel the windows shake off that bass. Oh, Both Nice = 6th Sense + Wildabeast, so you already know!
17. The Homebodies ft. Cool Breeze "Cool (Remix)": The Homebodies = A-Bomb & Wes Green, and this keeps you on that slinky, groovin' vibe we're on right now. And yes, it's that Cool Breeze. Get your lighters out for this one - all of you peeps who just KNOW you're cool, here's your anthem. ATL is definitely in the house. Check out their recently-released video for "Know Me Foe", and definitely be on the lookout for these cats.
18. Tef Poe "Niggas Ain't Brolic": Tef is another St. Louis rhymer, and this just has me open. "Niggas Ain't Brolic", aside from being a hot title, is also full of punchlines, and doesn't get old. Manifest Destiny should be out at some point this year (right, Tef?), but for now, keep up with dude - he's an interesting cat.
19. 5th Flow "The Reign": Yes, these three Texas spitters are just warming up for their album, but this banger, which was on their Quarter To A Half mixtape, is more fitting as an end-cap on this chapter, with some fierce bars and a bombastic beat. Pink Slip up in this, forreal...

So that's that, for now. You can grab this as one complete .rar, or hit up the mirrors over at mediafire. Shouts to beatplexity and openeyesconnect for the hosting. Shouts to all of the heads who allowed me to include their music on this compilation. Big ups to all of the heads I converse with on the regular, those who give honest critiques and insight into how I might want to do things. Props to all of my fellow bloggers for filling in the gaps on my musical journey. Much love to my wife, who always has a supportive ear. And one love goes out to Hip-Hop.

Disc 2 drops on June 23rd... keep it locked!
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On That Leak: Hustle Simmons "The Rundown"

Hustle Simmons ft. 84 & Fel Sweetenberg "The Rundown": My nigga Tha S Ence, who is 1/2 of Hustle Simmons, hit me with this cut last night. And then I secured it for the compilation. See how quick that works? Their album hits iTunes on June 24th, so make sure you cop it when they drop it. This flier has release dates and info on all 3 of the aforementioned acts, so please do not sleep.
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[rock the dub Interview]: Tha S Ence

I am presenting you with another interview that has been on hold, waiting for The Flow to rise from the ashes like the Phoenix... even though I highly doubt it going down. In any case, check out a budding producer from Philly, Tha S Ence. Now mind you, this was conducted in March of 2006, so some of the topics might seem to be a bit dated (speaking on the passing of J. Dilla, the Cam'ron barbs slung at Jay-Z, etc.), but I figure, this guy is a beautiful producer and still needs to get his shine on. Check out this piece and see for yourself...

With the current state of Hip-Hop, manufactured characters and watered down beats run rampant on TV and radio, diluting what true heads knew as “the essence”. Today, hailing from Philadelphia, we have Tha S Ence, a young producer who is studied in classic Hip-Hop knowledge, and ready to teach listeners through sound. Reworking samples into new compositions, all the while keeping that same raw energy, is just one of his strengths. A no nonsense attitude is another one of his gifts. Combine these, sprinkle in a love for both Buckshot and Jay Dee, and you have a recipe for Hip-Hop beauty. Check out this conversation about beats, rhymes and life.

khal: There are plenty of producers out there making beats. What is it about Tha S Ence that sets him apart from the rest of the crowd?

Tha S Ence: Mainly the sound, there’s so many producers out there making the same kind of stuff, especially all that radio crap, same keyboard sounds; it's so played out. Another thing is cats must have forgotten the art of sampling, because half of them aren’t doing it or it’s so sloppy, you can’t listen to it. Some cats just make whatever, constantly copying stuff they hear on the radio. I’m definitely not a carbon copy of another producer.

khal: I see you are reppin’ Philly. With such a rich musical history, including Hip-Hop legends like Jazzy Jeff and The Roots, has that had any influence on how you approach your craft?

Tha S Ence: In a way, yes but not just people from Philly, more like everyone that has ever made any dope music; be it jazz, “neo-soul", rock, anything really, but I really like the consistent stuff that has been coming out of Detroit. I try to broaden my music taste to listen to all types of Hip-Hop here and overseas stuff too but not just Hip-Hop. Most sample records I get are off the wall, something I would never listen to if I wasn’t making beats. I would have to say my biggest influence is J Dilla, (Rest in Power) hands down.

khal: True, now I noticed that you have a post on your MySpace page referencing the recent passing of Jay Dee. I am also a huge fan of his, and was wondering, if you had to describe what made J Dilla the illest in 5 of his tracks, which ones would they be and why?

Tha S Ence: Man, that’s a crazy question because Dilla made consistent material and A LOT of it, that’s a part of being ill to me. I got a bunch of beats tapes of all types of Dilla stuff that never came out or is just coming out now, I loved everything he did with Slum Village, ATCQ, Jaylib, Busta Rhymes….the list goes on and on but there’s no way I can list just 5.

khal: By the looks of your ill MPC ring, you obviously use that mighty tool for making beats. What else do you use?

Tha S Ence: I’m a minimalist; all I use is my MPC and a portable turntable. I record to my computer. I just try to use all the sounds I can get from that record. People forget, beats aren’t there to confuse you, or even the emcee on it. Only downfall to minimal setups is once your machine starts messing up, your whole operation goes down.

khal: Your sound is very epic, for example, you have some serious strings in “onslaught”. Do you try to evoke certain emotions while producing, or is it just about creating dope music?

Tha S Ence: Definitely, once you feel the original record, I sometimes try to bring out that same emotion in the beat, or flip it the other way, create dope music but changing a sad record to hype joint.

khal: How did you get involved with the MTP Beat Battle?

Tha S Ence: I saw a bunch of flyers and the website for the past ones. So I hit up the creator, for the event and he put me on luckily. I'm a new guy so I thought that would be the best way for people to hear my music. Check it out on mtpjersey.com.

khal: Let’s say you are given unlimited resources to create your The Chronic, where you are the main producer and you have many MCs blessing your beats. Which MCs would you choose, and why?

Tha S Ence: My first pick would be Elzhi; that dude is a rhyming machine his lyrical patterns are crazy, just straight ill. Then Busta Rhymes; if you know Busta, you know he can rhyme on anything you throw at him. I would want A Tribe called Quest on a joint no doubt, that’s my favorite group of all time. Tip and Phife’s flows link together, makes the song even doper. I would really like to work with Buckshot, too: he's got crazy energy and I love how he enunciates his words… you know he’s dead serious when he says anything. Oh and how can I forget Little Brother; Phonte and Big Pooh got skills and are characters on every track they’ve been on. That would be the most eclectic album you would ever hear but I would stay with a theme throughout the whole album. Man I can’t forget [MF] DOOM, I just like the way he plays with words and comes at tracks totally different than any other rapper I’ve heard. On the real this is probably the hardest question I would ever have to answer because there’s a lot of dope emcees to narrow it down.

khal: You also speak on the recent barbs that Cam’Ron has thrown at Jay-Z. The phenomenon of rappers reusing other rappers rhymes does get kind of out of hand. Where do you think a rapper should draw the line?

Tha S Ence: I think when rappers use other peoples like to create their own style is where they need to stop. I understand if you give credit or props during the verse like – “As so and so says…” or something to that nature but your whole steelo was created from someone elses work…nah man that’s lame. Cam’Ron just showed people how even their favorite rapper jacks lines but no one notices because people don’t know the roots of this hip-hop music. Jay was getting his style from the old school cats and no one noticed.

khal: Have you had any MCs hit you up for your beats yet? How can someone get in touch with you to discuss a working relationship?

Tha S Ence: I’ve have a couple here and there but nothing has struck my interest so much, I'm working on a real website to get maximum exposure. Not too many emcees realize I put time and work into making these beats; I want to get paid for work I do, not just give beats away for free. You got to draw a line somewhere with cats and set them straight. If you would like to get in touch with me, you can email me @
thasence@gmail.com or instant message me on [AIM screen name] Tha S Ence. I rather have you send me a link or something to figure out who I am dealing with.

khal: Where do you see your art going in the next couple of years? Also, what are you looking for with your craft, the glamour or the respect?

Tha S Ence: Next couple years I just hope to get even better at what I do, if I can make it a fulltime job, dope. And I want to start getting a mixtape together, and get on some distributed albums; I just want to make dope music If people love it, that’s cool, if not that’s cool too. I just want to live off of making beats, I'm not about the glam and I’m no where near close to getting Pharrell and Just Blaze money but I'm not doing this just for the money. I love Hip-Hop and I love making music.


You can get more information, including audio samples and more of his views on his MySpace page. If you are interested in getting beats from him, send any e-mail inquiries to thasence@gmail.com. We wish him much success and quality production for years to come. One.
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