Friday, February 02, 2007

Friday, Feb. 2nd 2007 playlist

Another week down the hole... and what an interesting week... wow, that was crazy unbelievable eh? LOL. In any case, I have a load of music to hit you with; let's stop the nonsense and get invovled:

01/Omarion "Ice Box (Nappy Vs. Tes La Rok Dubstep Mix)" [taken from Nappy's 2nd package of THUGSTEP, this one is possibly the most beautiful mix he has done. They pianos Tes La Rok used, that bassline - it just vibes so well with not only Omarion's vocals, but the whole vibe of his lyrics. Check it out...]
02/J Past & Donnie Blake "Deadly Combination Remix" [Taken from J Past & Donnie Blake's Introducing Dr. Donald Blake album, J drops 3 of his dopest instrumentals underneath the classic 2 Pac/Big L/Biggie Smalls gem of a track, "Deadly Combination". Nice mix.]
03/Birdman & Lil' Wayne "Leather So Soft" [I can't help it; I see the video all the time, and Weezy's first verse always makes me laugh, esp. when he gets into that "my rag always red, just like when them ho's bleed"... ridic.]
04/Limewax "Dirty Human" [you gotta love Free DNB MP3s. Dylan said this is never getting a proper release, and there might be MORE Freak stuff dropping on MP3 in the future... HEAVY TUNE BTW, not for the faint of heart...]
05/Stephen Marley ft. Damian Marley & Buju Banton "The Traffic Jam" [big track. Told you guys about this last week. VH1 Soul still rinsing the video... sans Buju, for some reason. Loving that beatbox/dancehall hybrid.]
06/Die & Clipz "Work It Out (Dub)" [Die & Clipz bring back that old double bass sound for this one. Why, who knows, but they seem to link up and bring that revival sound. The flipside is the Roni Size VIP of "Number 1", which is kind of dumb if you ask me.]
07/Breakage "I N I" [long awaited 12" from Breakage on Digital Soundboy. Very heavy dub stylings on this one, with some nice snare hits. Deep vibes on this one, a step out of the normal dancefloor ready grooves, which is great for the label.]
08/Bass Clef "Eight Zero Eight" [taken from Bass Clef's 2006 CD, this one rocks loads of 808 sounds inna dubstep/grime zone, which works very well. It's actually a lil more straight up Dub, wacked out, than anything else. Don't sleep.]
09/Gridlok "Hidden Threat" [Gridlok came correct with the 2nd installment of his Break The System LP, and this is probably one of the more interesting numbers on it. It comes on as straight up fuzzbox downtempo stylings, but then delves deeper, into some grimey, amen-smashing techfunk. Honestly, I liked pt. 1 of this LP much more, but this LP does have its moments.]
10/Mr. Vegas ft. Lexus "Taxi Fare (Remix)" [that "Taxi Fare" chorus shit kills me. Dancehall MCs and singers have such a mastery of melody, its crazy. It doesn't hurt to have this Mission Impossible/Knight Rider guitar sounding thing in there. I had this on repeat yesterday morn. I hope Jitesh digs the dancehall CD I made for him...
11/Tube "Break Bop" [I don't expect a lot of you to know who Tube is, or have heard his 1997 CD Alive, but back then I was all about the Jungle Sky/Home Entertainment labels. His CD was pure jungle noodling, but had that IDM twist to get it out on HOE. This one, I rocked the shit out of this track when I was at LaSalle. There was an alley not too far from the tennis courts that we dubbed "Crack Alley" because it looked straight out of the Trenton crack dens... anyways, I was bouncing to this track and created a dance I cannot remember called the "Crack Alley Shuffle". Those were the days... Anyways, this one is a hectic number. Has a sick groove, but you gotta get into it first. Get committed lol.]
12/Joulz Il "The Urge" [this is from current unsigned hype from Dallas, TX, Joulz Il. Interview with him is DONE and coming to rock the dub NEXT WEEK. This is more of a club banger, but he has a load of other tracks for you to dissect. Shouts to 5 Starr; we teasing you for next week...]


Check out some dope mixes from guys like Redeyes, Code, Martsman, Chris INP and Kuttin Edge over at FYLP Feb 2nd 2007 at the DPD.


If you are looking for Hip-Hop mixes, check out Introducing Dr. Donald Blake from J. Past & Donnie Blake. Also make sure you grab that Chrome Children v.2 from Stones Throw. I'll have another dope mix for you next week, just haven't peeped it yet.


For some Hip-Hop beef/drama/album sale talk, check out this post from NahRight. Anytime 50 Cent is on Hot97, it's a treat, and this one might go down in the record books: not only did he discuss Koch shit with both Styles P AND Cam'ron, but then Jim Jones came in to plug everything, including an "urban 9 1/2 Weeks" he's supposedly starring in. Ew.

Finally, I want to shout out NahRight, The Rap Up AND Spine Magazine for lacing the blog world with those AWESOME remixes of Nas' "Where Are They Now"; the "80s Remix" features the following MCs: Grandmaster Caz, MC Shan, Raheem (Furious Five), Doctor Ice (UTFO), Kangol (UTFO), Kool Moe Dee, Sha Rock (Funky Four Plus One), Tito (Fearless Four), Lique (Isis of X Clan), Dana Dane, Pebblee Poo & Just Ice. The "90s Remix" features the following: Redhead Kingpin, The Original Spinderella, Rob Base, Father MC, Monie Love, Mike D (of the Jungle Brothers), EST (of 3XDope), Positive K, Das EFX, Lords of the Underground, Dres (of Black Sheep). Finally, the "West Coast Remix" features the following: Breeze, Kam, King Tee, Candyman, Threat, Ice-T, Sir Mix-A-Lot and the Conscious Daughters, with DJ Bobcat on the cut. You gotta respect that. Nas made me eat my words about "Where Are They Now", or he just read my review and did what I asked him to.


Since Nas gave the MCs some, I figured, why not give the producers and DJs some? So for this week's FINAL THOUGHT, here are some vids of how the Hip-Hop DJs and producers get down:

Pete Rock on the MPC2000XL:

MC Shan & Marley Marl "Marley Scratch":

Cash Money, one of the ILLEST DJs from any era, from the 1988 DMC Finals:

Finally, Jam Master Jay (RIP) (with a lil help from Mista Sinista) teaching some chick how to scratch:

IIGHT, that's all for now, folks. More lessons in the near future...

Thursday, February 01, 2007

Black History Month 2007: Food for Thought

Another year, another Black History Month.

Since this is my first year blogging the shortest month of the year, I figured I'd try to both educate, as well as point out some odd things about the legacy some of our Black Legends have left...

Take Jean-Michel Basquiat, for example: while he should be known for his forrays into neo-expressionism, and just the sheer fact that he went from a cat living in the gutter to hob-knobbing with art heads worldwide, he's randomly name-checked in a Jay-Z freestyle from Thanksgiving-time, and given possibly the UGLIEST Reebok shoe to ever hit the planet.

That shit bothers me. I wish we could do things like Nas does, and resurrect the idols we thought were dead and bring them back to the masses (see the following remixes of his track "Where Are They Now": 80s RMX, 90s RMX, West Coast RMX). Maybe it's my job to do that... we'll see how this goes this month.

American Idol 6, week 3 [recap]

I can't get into how grandiose and ridiculous some of these contestants are getting in their auditions. I found myself trying to understand why some random cat named "Eccentric" is making panther noises, taking off his stuff and throwing it around, and doing some weird, high pitched fast sounding singing then saying "eccentric!", like that matters.

I don't get why 21 people went through and we actually saw 3 people compete.

Why keep pushing that over-the-top nonsense? It couldn't have been this bad in terms of people trying to throw gimmicks out there in the auditions... or trying to prove points.

I'm almost ready to give up trying to recap this show, for the simple fact that there's a lack of quality singers to critique. Even if that 17 yr old chick from the Birmingham episode was fire.

The two stories that did intrigue me were the "blonde bombshell" hottie who's daddy done shot himself in the neck and is now paralyzed. Hearing her say "daddy" cracked me up. That 64 yr old dude who sang for his dead wife was touching, too. And he wasn't half bad.

Thank God these auditions are almost over.

Wednesday, January 31, 2007

Paging Donald Blake...

I'm always on the hunt for new, refreshing and exciting music, and I love the fact that I haven't had to leave the comfort of my state to do it... DJ Nappy has the thugstep thing on lock, and has also helped usher in the Wired Weird era... he has now introduced me to one of the nicest producers I've heard in a while, NJ's own J. Past, through a mixtape he has compiled entitled Introducing Dr. Donald Blake (which can be downloaded for free HERE). He's a younger cat, not even legal drinking age yet, but his production is on point. This collection, from what I understand, is his first forray into giving the public free mixtape loveliness, and boy is it an interesting bag.

First off, you guys might be wondering, "what in the hell is a Donald Blake, and why is Thor on the cover of his mixtape?" Well, wonder no more: the extension is more than that, though. In the vein of artists like Kool Keith, MF Doom, Madlib and others who are known to shapeshift to fit other personalities, J has crafted Donnie Blake to represent another side of his evolving musical personas, and the story told in this mix helps build the mystique. With nicely chosen samples from old school Thor tales on wax, the mixtape is ushered along nicely. And that selection...

When you peep the tracklist, you might be inclined to peg J with crews like Caps & Jones or Sound Advice, units that are known for mashing up all genres in all shapes and sizes into one interesting mix. You actually wouldn't be far from the truth, in that respect, but the feeling behind Donald Blake is a bit more Hip-Hop than some of their efforts. He still manages to throw Jay-Z over "Rock Me Amadeus", but this collection sees the world through gazelles, not aviators. Plus, the tracks truly play off of the interludes: there's one section where Don Blake visits his lady in the hospital, and the interlude is talking about him trying to figure out what was going on in his absence, and then it delves into tracks dealing with struggle and such. My personal favorite, however, is where J. Past gets to flex his beautiful production chops on "Deadly Combination Remix", where he flips 3 of his illest beats under the 2Pac/Big L/Biggie collabo of "Deadly Combination". Wonderful stuff.

In speaking to J about this compilation, he just wants to be heard. His motivation? Well, he is just vibing off the music that he enjoys. This is his first forray into creating projects of this nature, and he just hopes to get enough heads out there feeling his work to create a new one. It's good to have cats who are purely just looking for people to listen, react, then build, as opposed to trying to "get on", making tracks or mixes to get gigs or radio shows or whatever the fuck. I mean, if that happens, so be it, but don't let that be what makes you create. It has to be deeper than that, and its really surprising to have someone understand that early on, and continue to better themselves...

At the end of the day, we are given an interesting blend of tracks, interwoven in a solid narrative, all of which paints a portrait of an up and coming producer that definitely needs to be heard. If you sleep on this, you're missing out. Remember who told you first...

if you are looking for more DJ J. Past info, check the following links:
J Past's MySpace Page
Donnie Blake's MySpace Page

Tuesday, January 30, 2007

dubplate digest: the story so far...

Well, back in September of 2006, I started up the dubplate digest, my blog dedicated soley to "upfront DNB news". My ideas behind DPD was to try and fill a void that is obviously in the DNB realm: a spot where true, constantly updated DNB news can be found. Has it been a success? Compared to the numbers, not really: with averages of under 30 hits a day, its not really having the success I imagined then. Do I think it should be doing better? Mos def... I also know that Rome was not built in a day.

In any case, I want to highlight some of the gems and jewels, the big things that have been going down over at the DPD:

  • The FIRST spot to give you exclusive news on Perpetuum's forthcoming album...
  • My "For Your Listening Pleasure" series, which highlights the best and brightest mixes from some of the nicest DJs in the scene...
  • My "Free DNB MP3" series, letting you know some of the FREE, 320KBPS MP3 gems that the illest producers have given away...

That's just some of the gems we are giving to the masses over at the DPD. I want to start bringing you exclusive articles with some of the hottest producers, DJs and label heads in the scene... I am just trying to figure out the best way to package it. More info on that when it develops.

So, check me out. For you RSS heads, our feed is LIVE. Even if my counter only shows another 10 hits per day, hopefully more heads will start to see the shine we are giving to the DNB community. And if you have any news bits/mixes/free DNB MP3 links or whatever, let me know!

Chrome Children 2

Stones Throw currently has uploaded the Chrome Children 2 album to their website for FREE... for a month, if memory serves me correctly. Grab the .zip now and eat it up.

Tracks include artists like Madlib, Oh No, MED, Roc C, J.Rocc and others. Get it while it's free.

Don't ask for a review, I haven't even unzipped the beast, but if you are a fan of Stones Throw, I highly doubt you being disappointed... just kind of surprised there's no Dilla on here.

[rock the dub Interview]: SoL

You've seen the interview with SoL Tha Analyst's parter in rhyme, Kontakt, so it's only right that we now bring you SoL's solo Q&A. The man's got a lot on his mind, and is not afraid to speak it. Let's get it...

khal: You go by the name SoL, but you have tagged onto that “Tha Analyst”, and your name is an anagram for “Slave of Logic”. Explain that to the people – how does that moniker fit you?

SoL: Yes, SoL is an anagram for “Slave of Logic” but SoL also describes how I live with the SoL of an old school 70s cat coupled with SoL being an adjective of my objective to spit respectfully with the fire of the torch lit by the Great Hip-Hop Emcees that we honor or should honor today! One thing about me is that most of the things I say have a double meaning if possible….just to make you think. “Tha Analyst” refers to how I approach life…THE SCIENTIFIC METHOD. The high school that I went to, Baltimore Polytechnic Institute, had a staff that prepared you for life and the real world while giving you a science or an engineering college level education. Critical thinking was taught as survival all the way down to the janitor. You had to be analytical in everything you did, every decision. The wisdoms learned here along with the guidance of my brother, fam, coaches, and all the ups & downs of mistakes of life formed experience to personal declaration! I indulge in connecting with people for higher wisdom. I officially became SoL tha Analyst while vibing in the studio wit Wordsmith and Kontact during the making of Forgery Complete.

khal: I see that you’ve been a student of Hip-Hop for damn near 20 years or so! What is it about Hip-Hop that draws you in, and in turn, makes you want to create your own music?

SoL: I love this question and it always makes me think about the movie Brown Sugar. This movie understands this question and so do I. I am drawn in by feeling Hip-Hop gives me when I hear it. The creativity, the fire lyrics, the artistry of people who are not afraid to tell their side of life’s story their way …MAN it just does something to ya. I am big on intelligent and clever rhyme combinations. The love of the craft and the art of being an Emcee was sparked after Wordsmith invited Kontact and I to rehearse and perform wit him down in Houston at the Toc Bar. I have always loved Music especially Hip-Hop. I have lived a wild lifetime in my short life span and this gives me a lot to speak about. Plus …there is nothing like finishing up a track that you put that hard Hip-Hop work into and receiving opinions about what you created either positive or negative.

khal: I’ve only just heard of you in the last year or so, but you’ve known Wordsmith for a while right? How did you guys meet, and how did your initial friendship turn into him taking you under his wing with this Hip-Hop?

SoL: Jyeah, I have known Word almost ten years now. I met Word at Salisbury University’s football camp my sophomore year in college. He was a new transfer from Morgan State. God formed a union that day with Word and I that was always meant to be and I think I can speak for the both of us when I say that. We have remained friends through everything since we have met and have always been there for each other if need be. My man Word called me up and told me bout a show he was gonna do down in Houston, Texas at the Toc Bar in November 06’. I was shocked that he asked me if I wouldn’t mind helping him out, backing him up on stage along with another person. He said it's gonna be a lot of hard work but it will be worth it. Learning Word’s music, rehearsing and performing the show burned a fire in me that pushed me to emcee. Well, Word shoved a little too. I had been messing around with Word every now and again on the mic but none of that prepared me for the world of the artist’s ear …no longer the listener’s ear. The Toc Bar Show spawned Wordsmith’s Statements and Stipulations tour where Kontact and I backed Word up and gained the hunger to begin what was soon to be Forgery Complete. Word allowed me to get my feet wet on the tour by letting me write a verse remixing "Hydraulic Theory" from Wordsmith’s Statements and Stipulations. This was my first attempt to be an emcee. I was willing to humble myself and learn all that Word wanted to teach. He pulled an emcee out of me that I never thought I could be. See ... I am not afraid to admit my adolescence at being an emcee. I will hope that I have a progression as the years go on to better represent Hip-Hop. I see this as a blessing because of how my career in professional football was fading. You will see what I mean when Word drops Redemption ???? ... sorry can't give the whole thing.

khal: Your mixtape album, Forgery Complete, showcases your union with MC Kontakt. What is it about the two of you that makes you fit as a unit?

SoL: I believe it’s the differences in our style, voice, pitch that makes us potent when we mesh. It’s also the chemistry we have when we create music together. You will most def see the chemistry in '07. I think our styles compliment one another. Not to mention the grind that we went through together to become emcees worthy enough to make Forgery Complete. As far as MCing goes we started at the same time and I believe that added to the chemistry.

khal: I notice on your solo track “Night After Night” that you get kind of raunchy without being too X-rated. Do you consider yourself a Casanova? What was the basis behind that track?

SoL: This track made SoL come to life. This was my first attempt at a solo track and I wanted to make it relative to both men and women as well as write the track as a single. A Casanova …nah …one step from being a porn star…MAYBE..hahaha. Nah but truthfully, I was giving an example of what to expect night after night with Tha Analyst and seeing how many nasty freaks feel the same when they have that #1-3 status on your partners all-time list….think bout it. The first verse is straight forward but the second verse has 12 positions of the Karma Sutra. I did a little research for them, too, because I wanted to explain different positions, but in a clever fashion. Word has taught me not to be afraid to make the listeners find out what you are saying if he or she doesn’t get it. Mad props to my brother Deedaman for rocking the end.

khal: It seems that every year there are a whole slew of new MCs, new crews and a lot of cluttered spaces in Hip-Hop. You are aligned with the Nu Revolution camp. What is it about your bredren that sets you apart from the rest of the Hip-Hop community? Do you think, if given the opportunity, you guys could shine like Dipset or the Roc did years ago?

SoL: I believe it’s the maturity of the camp. Money is not the motive for what we are doing, the love of music and Hip-Hop is. Hip-Hop history and homage is our foundation and professionalism is how we present our selves. Everybody works hard in the camp, knows their role and respects one another. We are not afraid to let our music speak for itself and not copy, fake it, or sell out by having people write and/or rape our stuff. I believe with the right opportunity Wordsmith could turn what he built for him and us into something very special. I see our group more like a Wu-Tang Clan. Hardworking grinding assembly of talented diverse dudes for the common cause of fun music and Hip-Hop..Hip-Hop!!

khal: What five MCs are you feeling right now, on skills alone, and why?

SoL: Ludacris- he is so ridiculous no matter what beat ..what track .. he keeps the fire and rips it. Very clever on the mic. T.I.- his lyrical ability and delivery is smooth and sick. His flow is fluid with any beat plus his character and personality on the mic sets off his style. Lil Wayne- his growth as an emcee is both respected and recognized. Funny, witty metaphors and similes, plus I like the word combos he puts together. He def spits dat heat! Nas- One of the great emcee storytellers of Hip-Hop, Nas' creative intellect is vicious. Fresh knowledge spittin', always respect for his delivery and tone at the mic. Jay-Z- One of the most lyrical cats to rock the mic. I have respect for his business savy. The verses are always heated with flow flippin' confidence and the mic voice that the streets feed on… but I miss the Reasonable Doubt Jay. His flo on that CD …..DAMN….. I'm feelin' it!

khal: What else do you get into, aside from writing and getting better at your MC skills?

SoL: Jyeah ..easy: I have 3 yr old twins, Jordan n Jada, they keep me busy, but if no music and no kids …eating, exercising, sports, relaxing, having fun, trippin' n chillin'. I am a laid back dude.

khal: Seeing as though you are at home dropping more seductive tracks like “Night After Night” as well as more underground flavored tracks like “Microphone Bully 3”, which do you prefer?

SoL: I don’t really have a preference. I allow the beat to tell me its story and then find the best way to relate SoL to it. I am not sure yet but I think I like telling stories the most.

khal: If someone were to ask you “which song or verse defines you right now”, which would it be and why?

SoL: Probably my verse for Wordsmith’s "Legion of the Lyricists". My verse explains how Kontact and I became emcees and where we are trying to go.

khal: What do you have planned for the future, whether it’s tours/mixtapes/albums/etc?

SoL: I will be grinding with the camp, performing at every show we get a chance to. As far as albums goes the camp will be dropping something each month (full list in Kontakt's interview).

khal: Do you have any shouts or final words to give the people in closing?

SoL: My first shout is to God n then ……to you, khal, for the interview. Mad luv to JoJa, Wordsmith and the Nu Revo Camp, my family, my friends, Duece and Four Quarters, BMORE, R. motions from, Mr CRF from Critical Beatdown Magazine. Unison Collective, Work, D Coy, my RRC fam,, and anyone else who aided in the belief of the music! Thank you so much. Mad luv..Peace
for more info on SoL Tha Analyst and the Nu Revolution Camp, check out the following links:

[rock the dub Interview]: Kontakt

A year or so ago, I interviewed a cat by the name of Wordsmith. In that interview, he spoke on setting up his own label, Nu Revolution, which has since grown into a pretty stable crew of artists. Over the time between that interview and this blog starting up, Words has always hit me with info on what's been going on, and about 2 months ago he sent me links to this mixtape, Forgery Complete, a mixtape album by one of his Nu Revolution groups, Kontakt & SoL. Their blending of introspective, real life tales, club bangers and underground mic mangling sessions are something that many crews might wish to accomplish, but don't necessarily complete fully. Both of these budding MCs represent Maryland, and while their linking up produces fire, they are both interesting individuals in their own right. So, in the honor of giving everyone their own light to shine, we are going to be bringing you a group interview in two parts: one for Kontakt, the other for SoL. Here is the first installment, with the one like Kontakt...

khal: First off, in one sentence, what does Kontact bring to the Hip-Hop game that other MCs aren't currently dropping?

Kontakt: First I would just like to say thank you for the interview. I think I bring to the game a fresh, original sound. The unique thing about me, I believe, is that I am not afraid to do or try different things with my music. I started out singing so I always try to incorporate that into the music that I do. I like to find the melody in a track and use that to give the track a little more feeling.

khal: How did you get to where you are today? Where are you from, how did you get into music initially, and what keeps you motivated?

Kontakt: I started out as a young cat in a church choir. I think that is where I got my love for music. Also my Pops can sing very well. Seriously, I think that he could have been one of the Temptations or a member of Earth, Wind, and Fire. That's who he raised my listening to. As far as Hip-Hop goes I was introduced to the real essence of Hip-Hop one day outside of school with Word when we were young at a freestyle battle. Now I am still with him as a soldier of the Nu Revolution Camp.

khal: I know Wordsmith has been doing his thing for a bit now, getting his buzz in various avenues. How long have you been rolling with Words?

Kontakt: Word has been rapping for as long as I can remember and we became friends in middle school. That one day after school we were in a big crowd of people and Word asked me to beat box. Word and this Jamaican cat went back and forth freestyling over my beat. It was crazy. It is to this day wild to see how far we have come. From that one day back in school to starting this Nu Revolution movement.

khal: I saw on your MySpace page that you started out as an R&B singer, and got into MCing. How long have you been rhyming? Was it a hard transition? Were you able to apply your skills in singing to your rhyming?

Kontakt: Yeah, I started out singing and really still love too. I have been seriously MCing for over a year now. I am really still a rookie. The transition has been good. I have many excellent partners to work with. I have learned so much from Word that it is crazy. Getting to see Wordsmith the Great master his craft first hand, has been the biggest help and influence on me as an MC.

khal: Your recent mixtape, Forgery Complete, is billed with SoL. Are you two trying to come out as a duo? If so, what makes you two fit so well?

Kontakt: That is definitely what we are doing. SoL tha Analyst is my partner in crime. We have become really close and our chemistry has grown so much. Check out one of our shows and you will see what I am talking about. I believe what makes us fit is that we both have very a open mind when it comes to music. We try to think outside of the box and try to come up with sounds and concepts that are really different than what is out today. Which is basically one the goals of the Nu Revolution camp.

khal: You have a few tracks, like "U", which seem to draw heavily from your own life. In these days, it's hard to find MCs who will truly spit about their own life, or be real about themselves. What draws you to such introspective material?

Kontakt: I just try to be real. I feel that if I am real, true to what I say, and pull from my life to make my music than people will listen and be able to relate. That track "U" is pulled straight from my life. It goes through how I met my fiancée, shout out to Nancy. How I had my heart broke before and wasn't going to get seriously involved again. But, I met her and she captured my heart. I make songs like that because I know a lot of people can relate to those types of situations.

khal: Who are some of your influences? Have you tried to emulate any of the emcees who have been important in your maturation?

Kontakt: My main influence would be Wordsmith. I have had the privilege of watching him grow as an artist. So, I have taken that opportunity to study his work and come up with the best way to express my self musically. Word and other artists like Ludacris are MCs that continue to grow and it is evident that they work and study their craft. That is what I strive to do.

khal: In the last year, your crew Nu Revolution has been building pretty strongly. What do you think sets you guys apart from other crews that are prominent in the game today? Do you think Nu Revolu will be on par with super groups like Wu-Tang or the Juice Crew?

Kontakt: I definitely hope that we can make Nu Revolution as big as those names. I think we certainly have the people to do it. Nu Revolution means ---Breaking through the mold of the repetitive nature of today's Hip-Hop to bring an entirely new and exclusive sound. That's exactly what sets us apart from all of the other crews out right now.

khal: I know you guys went on tour with Words during his Statements & Stipulations tour. How do you try to make your music truly make noise during a live show? What do you bring to the stage that would make someone want to come back?

Kontakt: Man, these days dudes don't perform. We are definitely trying to bring back the performance part of a show. Not just spiting your lyrics. When you come to one of our shows we are going to make sure we entertain you. When you leave our show we want you to remember things that we did, from chorography to props. We will do what ever it takes for you to enjoy, remember, and walk away saying "that was a show."

khal: I know one thing that both you and SoL spoke of about your mix album was the fact that it contained both bangers AND more backpack-flavored bits. Do you dig one style more than the other, and if so, why?

Kontakt: Naw, I don't think we dig one style more than another, we enjoy it all. We love to do deep songs that make you think about a certain situation for example: "Call of Duty". Then the underground bangers like "We Got This". Then feel good joints like "Music". So we just try and stay well-rounded in our music. We are always trying to make something for everybody.

khal: What's going to be going on with you in 2007 and the next couple of years? Are you working on any solo projects? Any tours? What's really good?

Kontakt: We are definitely going to be doing some shows bringing Forgery Complete to the stage. So keep checking the website for upcoming dates. I have a solo EP, Sol Tha Analyst Presents Kontact "The Enigma of Love: Scriptures for an Intense Attraction" dropping (April 3rd, 2007). Also check for Kontakt & SoL Featuring Black Knight "The Variety Show" Mix Album dropping (June 19th, 2007)

Other dates for the camp:
-92Q Jamz "Konan" Presents Wordsmith "The Next Level Series" Volume 1 Mixed by DJ Vega (2007)
-The Nu Revolution Camp Presents Wordsmith "The 2006 Mixshow Wrap-Up" (January 16th, 2007)
-Wordsmith Presents RhymeZwell "Cave Sessions" EP (February 13th, 2007)
-Wordsmith Presents Professa "The Last Chariot" Instrumental CD (February 27th, 2007)
-All-Biz "The Underground Explosion" Mix Album (March 13th, 2007)
-Kontact Presents Sol tha Analyst "Paragon of Virtue" EP ( May 15th, 2007)
-Wordsmith "The Soundscape Project" Mix Album (June 5th, 2007)
-Rhymezwell "Unititled" Mix Album (July 3rd, 2007)
-Chubb Rock & Wordsmith "The Generation Gap" (2007)
-Wordsmith Presents Black Knight "The Allure" Mix Album (August 14th, 2007)
-Wordsmith & Rhymezwell "Wordswell & Rhymesmith" EP (September 11th, 2007)
-Wordsmith "The Next Level Series" Volume 2 (December 25th, 2007)

khal: Do you have any shout outs or final thoughts that you'd like to hit the people with before we end this?

Kontakt: Special thanks to the man up a stair for give me the talent and ability to do what I do. To the whole Nu Revolution Camp, "lets keep it moving." Shout out to Wordsmith for being the great leader that he is. To my partner in crime SoL for keep me on my toes. To my family and my fiancée love you all. Kontact "Lets Go!"
for more information on Kontakt and the Nu Revolution Camp, check out the following links:

Monday, January 29, 2007

THUGSTEP Extensions

Just wanted to let you DJ Nappy/THUGSTEP lovers out there that big Napp has put out another .rar, featuring 20 tracks, the majority of which have extended intros/outros for DJ play. Check out this post on his MySpace Blog:

if you got the original pack you might wanna snag this one as well a couple extra tracks were thrown in. these all have extended intros/outros for dj play.

click EDIT: sendspace link


allstar cashville prince - tear it up f. yo gotti (nappy vs el rakkas extended dubstep mix)
b dub - do whatcha do f. bun b (nappy vs. boxcutter extended dubstep mix)
big cas - check my feet (nappy vs. hijak extended dubstep mix)
big kuntry king - throwback f. ti (nappy vs. reform extended dubstep mix)
boo - miss me with that rap shit f. young jeezy (nappy vs trg extended dubstep mix)
cherish - do it to it f. sean paul (nappy vs slaughter mob extended dubstep mix)
khalifah - light a fire f. bun b (nappy vs ekaj extended dubstep mix)
lil jon - act a fool (nappy vs coki mix) f. three 6 mafia
lil scrappy - be real (nappy vs. quarta330 extended dubstep mix)
lil wayne - go dj (nappy vs benga dubstep mix)
omarion - ice box (nappy vs. tes la rok dubstep mix)
richboy - throw some d's (nappy vs benga extended dubstep mix)
slim thug - like a boss (nappy vs. vexd extended dubstep mix)
smitty - lil haiti (nappy vs. burial dubstep extended mix)
trillville - neva eva remix f. twista (nappy vs. pinch extended dubstep mix)
unk - 2 step (nappy vs. genetic krew extended dubstep mix)
young dro - shoulder lean (nappy vs. deadly habit extended dubstep mix)
young jeezy - take it to the floor f. bonecrusher (nappy vs tes la rok extended dubstep mix)
young joc - going down (nappy vs juju extended mix)

and if it doesnt say 'extended' the acapella and dubstep track end at the
same time.


I'm going to be re-uploading the .rar to sendspace, and will be linking it here. Might up it to a few spots as well, just to ease up the use of the direct linkage. And peep that "Ice Box" thugstep mashup... fucking SERIOUS!